% File woodenflute.abc, posted 21-May-2000.
%
% The woodenflute mailing list exists to discuss all aspects of the wooden flute -
% music, history, technique, players, making, workshops, festivals, new CDs, and gossip.
%
% In the course of discussions, tunes are often posted to the list in abc format.
% These tunes are posted to illustrate a point, to answer a query, or just as one
% wooden flute player sharing a good tune with the members of the list.
%
% The file woodenflute.abc comprises the abc tunes posted to the list between
% October 1998 and April 2000. There are 215 tunes in the file, posted to the list
% by 29 people. I have made an honest attempt to credit all individual abc notations
% to the correct transcriber, and to observe any copyright issues relating to tunes
% in the file : I will happily correct any errors.
%
% My email address is steveATlesessionDOTcoDOTuk and this file was downloaded from
% http://www.lesession.co.uk
%
% Details of how to join the woodenflute mailing list (of which I am a member,
% but not the owner) may be found at www.woodenflute.com.

X: 1
T:?
T:"An Dro"
R:An Dro
Z:Lesl Harker
M:C|
K:Em
|:E2B2 B2 Bc|A2AB G4|FGAF G2E2|1 EDEF G2F2:|2 GEFD E4||
|:FGAF G2E2|EDEF G2F2|FGAF G2E2|GEFD E4:||

X: 2
T:??? From De Dannan
M:4/4
L:1/8
R:Reel
Z:Gerry Strong
K:G
Bcdc BG ~G2|=FEDE =FGAc|dg ~g2 fgag|fdcB A=F =F2|Bcdc BG ~G2|=FEDE =FGAc
|dg
~g2 fgag|1fdcA G3 z:|2fdcA GABd|
g2 dg GdBd|c2 cd cAGE|DG ~G2 FGAc|Bcde fdef|g2 dg GdBd|c2 cd cAGE|DG ~G2
FGAc|BGAF G3 z|g2 dg GdBd|c2 cd cAGE|DG ~G2 FGAc|Bcde fdef|g2
(3g{a}fg)gdBd|c2 cd cAGE|DG ~G2 FGAc|Bz Az G4| |

X: 3
T:6/8 du Petit Sarny
M:6/8
L:1/8
C:Eric Favreau
R:jig
Z:Chris Corrigan, 15/4/2000
K:G
||: ~B3 Bcd | ~B3 BAG | EFG AGA | BGE D3 |
~B3 Bcd | ~B3 BAG | EFG AGA |1 BGF G3 :|2 BGF GAB
||: dBd gdB | A3 BGE | DBB Dcc | DBB ABc |
dBd gdB | A3 BGE |1 Ggf edB AGF | ~G3 GBc :|2
DB,D ~E3 FEF | ~G3- GBc ||:
dBd g2f | e3 gdc | Bdg gfg | ~a3- aBc |
dBd g2f | e3 gdc | Bdg fef |1 ~g3- gBc :|2 ~g3- gGA ||

X: 4
T:An Cailin Dubh
M:4/4
S:Paul O'Shaughnessy, Dublin (fiddle)
R:Reel
N:As played
D:Television broadcast
Z:Bernie Stocks
K:D
c2AB cd(3.e.f.e | d2gd BGGd | (3.c.c.B AB cdeg | faec (3.A.A.A AB |
{d}cBAB cdec | d2gd BGBd | (3.c.e.c AB cdeg | faec (3.A.A.A AB ||
cdef {agf}g2eg | fdfa (3.g.b.g ed | cdef gbae | faec (3.A.A.A AB |
{d}cdef gbag | fd{e}dc defg | (3.a.g.f {a}ge faec | dgec A4 ||

X: 5
T:An Culyek Hos
M:6/8
L:1/8
R:Jig
Z:bil@blueskiesink.com
K:F
D|G2 A B2 B|cBA G2 D|B2 c d2 _e|1 edA BGD:|2dcA G2 z|!|
G2 A BAG|BAF B2 G|G2 A B>AG|B2 c d3|Bcd d=ed|cBA BAG|B>cd ded|c>BA G3||

X: 6
T:An Dro
R:an dro
S:Yann-Fañch Perroches
O:Brittany
Z:Lesl
M:C|
L:1/8
K:Em
E2B2 B2AB|c2B2 AGFG| A2F2 B2AG|FGEF G2F2|
E2B2 B2AB|c2B2 AGFG| A2F2 B2AG|FEFG E4:||
|:e2e2 f2gf|e2e2 fefg|a2f2 b2ag|fgef g2f2|
e2e2 f2gf|e2e2 fefg|a2f2 b2ag|fefg e4:|

X: 7
T:Arlodhes Eversham
M:2/4
L:1/16
R:Polka
Z:bil@blueskiesink.com
K:C
B2d2 c2e2|d2B2 B>AB>d|c2A2 A>GA|B2G2 G4:|
B2d2 g2>f2|f2e2 e4|d2^c2 f2>e2|e2d2 d4|
B2d2 g2>f2|f2e2 e3|d2^c2 e2>d2|B2G2 G4|

X: 8
T:Ashmolean, The
M:C|
L:1/8
S:Mike Rafferty
R:reel
Z:Lesl Harker,  3/4/1999
K:G
d2B |: AF~FF EDBA | D2ED FAA2 | defd efdB | AFDE FE E2 |
AF~FF EDBA | D2ED FAA2 | ABde dBA2 | BDEG FDD2 :||
|: defg a~aab | afdf edBA | defg a2ab | afdf e2eg |
fdd2 Addf | edAd e2fe | dBAF A~AA2 | BDEG FDD2:||

X: 9
T:Auld Lang Syne (old tune)
M:C
L:1/8
Q:120
S:SMM #413, 1796
Z:Bruce Olson
K:D
A|d3/2 d/ e f A3/2 B/ A F|d3/2 f/ e3/2 d/ B2 (d/2B3/2)|\
A3/2 F/ E D E3/2 D/ E3/2 F/|A2 B3/2A/ A3"Chorus"A|\
d2(ef) A3/2 B/ A F|(d3/2f/2) edB3 (d/B/)|\
A F E D E3/2 D/ E F|A2 ~B3/2A/ ({A/}d3)|]

X: 10
T:Banshee, The
M:4/4
L:1/8
R:reel
Z:Rachel Marsh, 25/4/2000
K:G
~G3 D EDBA | GFGB d2 Bd | eged BAGA | BAGE EDBA |
~G3 D EDBD | GFGB d2 Bd | eged BAGA | BAGE ED D2 :||
eaag efge | dBBA B3 d | eB ~B2 gBfB | eBBA B3 d |
eaag efge | dBBA B3 d | eged BAGA | BAGE ED D2 :||

X: 11
T:Besom in Bloom, The
M:6/8
L:1/8
S:Colm O'Donnell
Z:Rachel Marsh
K:DMix
FED ~F3 | GED ~D3 | FED FGA | GFG AGE | FED ~F3 | AFA ~f3 |
ded cAF  |1 AGF ~G3 :||2 AGF G2 A||
B2 B BAG | ABG A2 G | FED FGA | GED ~D3 | B2 B BAG | ABG ABc |
ded cAF | AGF G3 :||

X: 12
T:Bird in the Bush, The
M:C|
R:reel
D:Oisin: Over the Moor to Maggie.
Z:id:hn-reel-38
K:G
d2eB dB~B2|dBAB GAAG|EGAd BG~G2|BGBd g2ge|!
d2eB dB~B2|dBAB ~G3E|DEGA B2eB|dBAd BG~G2:|!
|:Bdef g2fg|afdf gfed|Bdef ~g3b|agab ~g3a|!
bg~g2 agef|~g3e dBGE|DEGA B2eB|dBAd BG~G2:|!

X: 13
T:Bishop's Jig
M:6/8
L:1/8
R:Jig
Z:bil@blueskiesink.com
K:G
dgB BAB|cBA ABA|GFG ABA|BAB ABc|dgB BAB|cBA ABA|GGG A2 F|G3 G3|!
gfe dcB|edc Bcd|eAA BAA|BAG FED|gfe dcB|edc Bcd| e3 f2 e|1{f}ed^c d2|2 d
ef g2 z||

X: 14
T:Bonaparte's Retreat
R:set dance
H:there are several tunes with this name "Bonaparte's Retreat."
N:named for me by someone on the list, thank you.
D:Paddy Glackin: Ceol ar an bhFidil le Paddy Glackin
O:Ireland
Z:Lesl
M:4/4
L:1/8
Q:1/4=130
K:D
GF|:DGGF GBAG|FAde f2fg|agfa gfde|fdcA BGAF|
|DGGF GBAG|FAde f2fg|agfd =cADF|1 A2GF G2GF:|2 AGGF G2de|
fefg f2df|gfga g2fg|a2bg agfd|g2af gfde|
fgag fd=cA|GBAF GFed|fefa f2 (3def|gfga g2fg|
a2bg agfd|g2af gfde|fgagfd=cA|GBAF GFEA|
D2GF GBAG|FAde f2fg|agfd =cADF|A2GF G4||

X: 15
T:Brendan McGlinchy's
T:Splendid Isolation
M:4/4
L:1/8
C:Brendan McGlinchy
S:Laurence Nugent
R:Reel
Z:Robert Greenway,  30/9/1999
K:GDor
G2AG FGAF|G2AG FGAc|d2cA g3c|dggd ^fgga|!
b2ag ^fdde|f3g ^fdcA|G2AG FGAc|d2cA G4:||!
||:g2ag f^ffd|g^fdc Acdc|AG~G2 AG^fd|AG~G2 FGAG|!
FGAG FAAG|F^FFG =FAg^f|dg~g2 fgag|^fdcA G4:||!

X: 16
T:Breton \#6 in G
M:6/4
L:1/8
R:Other
O:France
A:Brittany
Z:bil@blueskiesink.com
K:Em
G2FG E2D2 E4 | GEFG A2B2 G2E2 | \
G2FG E2D2 E4 | GEFG A2GB F4 :|!
|: E2BA B2c2 AcB2 | A2BA G2E2 AGFB |\
E2BA B2c2 AcB2 | A2GA B2A2 GFE2 :|

X: 17
T:Breton tune
M:4/4
L:1/8
S:transcribed by RR from Loose Moose Ceilidh band tape
R:Other
O:France
A:Brittany
Z:Richard Robinson
K:Em
EBBE GFED | EBBE G2E2 | EBBE GFED | EBBE G2E2|\
EBBE GFEG | FGAF A2GF |
G2FE DEF2 | FGAF G2E2:|
K:DMix
DGGG ABG2 | GE EF/E/ D2D2 | \
DGGG ABG2 | GE EF/E/ D2D2 |
DGGG ABG2 | GcBc A2AG | F2FG AB G2 |\
GE EF/E/ D2D2  ||**

X: 18
T:Breton Tune
M:4/4
L:1/8
Q:140
C:Traditional
Z:Richard Moon,  9/9/1999
K:AMin
AB|c2 B2 AEAB|cAAG A2 ed|c2 B2 AEAB|cAAG ABcd||!e2 e2 dc A2|cB c2 de d2|
B/2c/2d cB AEAB|cAAG ABcd|!e2 e2 dc A2|cB c2 de d2|B/2c/2d cB AEAB|cAAG
A4||

X: 19
T:Brian Tobin's Reel
R:reel
C:Emile Benoit
Z:Measures 7 & 14 are 6/4 meter
M:C|
L:1/8
Q:120
Z:Gerry Strong
K:D
|:faaf a2 fa|g2 ed cdeg|fefa gfeg|fedf ec A2|faaf a2 fa|g2 ed cdeg|fefa
gece d2 d2:|
|:Addc d2 eg|fdec d2 AB|=c2 G=c E=cG=c|=c=cEG FED=C|Addc d2 eg|fdec dc A
2|fefa gece d2d2:|

X: 20
T:Brown Coffin
T:An Comhra Donn
M:4/4
L:1/8
R:H
Z:Andrew Pickering, 17/2/1999
K:D
FG|ABAG FAde|fgfe dcdA|BcdB AFDE|FE{A}ED E2 FG|
ABAG FAde|~f3e dedA|BcdB AFEG|F2 D2 D2:|
fg|agfd gfec|dcde fdAF|GABG FADF|Eg{a}gf e2 fg|agfd gfec|
dcde fdAF|GABG FAEG|F2 D2 D2:|

X: 21
T:Bucks of Oranmore, The
M:C|
R:reel
D:Stockton's Wing
Z:id:hn-reel-148
K:D
A2FA ~A2dB|ADFA BE~E2|1 A2FA ~A2Bd|egfd edBd:|2 ~D3F ADFA|defd efdB||
|:AD~D2 ADBD|ADFA BE~E2|1 AD~D2 ADFA|defd efdB:|2 ~D3F ADFA|defd edef||
|:a2fd efdf|a2fd edBd|1 a2fd efdf|gefd edBd:|2 fa~a2 bfaf|defd e2de||
|:f2df efde|f2df edBd|1 f2df efdf|gefd edBd:|2 fa~a2 bfaf|defd e2dB||
Adfd edfd|Adfd edBd|Adfd edef|gefd edBd|
Adfd Adfd|Adfd edBd|fa~a2 bfaf|defd e2dB||

X: 22
T:bunch of keys
M:4/4
L:1/8
Z:Bernhart,  28/1/1999
K:G
|DGGF G2GA|BGdG eGdG| D=FFE F2FG|A=FcF dFcF|
DGGF G2GA|BAGA Bcde|=fgfd cBAc|BGAG DG2GG:||
|dggf gfga| bgag bgag|d=cde fefg| afgf afge|
 dgfa gfga| bgag fdde|=fgfd cBAc|BGAE G2GA:||
BGG2 BGDG|BGG2 Bdgd|A=FF2 AFcF| A=FF2 ABcA
|BGG2 BGdG|BGGA Bcde|fage fdcA|GBAF DGG2:||

X: 23
T:Cape Breton Jig
M:6/8
L:1/8
S:Josephine Marsh
R:Double Jig
Z:Seanchas
K:G
dBG G3|Bcd BAG|EAA A2G|EAA ABc|
dBG G3|Bcd BAG|EcB AGF|1 G3 G2B:|2 G3 G2f|
|:g2e eBe|bee efg|f2d dAd|add def|
g2e eBe|bee efg|afd afd|1 e3 e2f:|2 e3 edc||

X: 24
T:Carnival of Venice
M:3/4
L:1/4
Q:200
R:waltz
D:Conal O'Grada
Z:Gerry Strong
K:D
A|:B2 A|G2 F/2G/2|A2 G|E2 E/2F/2|G2 A|B>A G|FAd|F2 A|d2 A|G2 F/2G/2|A2 G
|E2
E/2F/2|G2 A|B2 A|1D3-|D2 A:|2D3-|
D> A ^G/2A/2|B/2A/2^G/2A/2 B/2A/2|G/2F/2=F/2^F/2 G/2F/2|A G/2F/2E/2D/2|C
2
E/2F/2|G/2F/2A/2G/2 B/2A/2|c/2B/2A/2B/2 c/2A/2|d/2B/2A/2G/2 F/2G/2|A>A
^G/2A/2|
B/2A/2^G/2A/2 B/2A/2|G/2F/2=F/2^F/2 G/2F/2|A G/2F/2E/2D/2|C2
E/2F/2|G/2F/2A/2G/2 B/2A/2|c/2B/2A/2G/2 F/2E/2|DFA|d2 A|
f2 e|d>c A|GEc|B2 A|g2 e|c>B A|B2 A|FGA|f2 e|d2
c/2d/2|eBd|edB|Afd|Bgc|dfa|d'2 A|f2 e|d>c B|B2 A|A2 A|g2 e|c>B A|B2 A|FG
A|f2
e|d2 c/2d/2|eBd|edB|Afd|Bgc|dfa|d'3|

X: 25
T:Cathal McConnell's
M:C|
R:reel
N:What does Cathal McConnell himself call this tune?
D:Arcady
H:A version of "The Pigeon on the Gate", #141
Z:Henrik Norbeck
K:G
dG~G2 d3G|(3Bcd eB dcAB|cF~F2 c3A|(3Bcd eB dBAB|
dG~G2 d3G|(3Bcd eB dcAG|FGAd ~f3e|fdcA G2Bc:|
|:dggf g2bg|dg~g2 agfe|dffe f2fe|defg agfe|
dggf g2bg|dg~g2 agfg|bg~g2 agfe|defd cABc:|

X: 26
T:Celery Jig
M:6/8
L:1/8
C:Bernhart
Z:Bernhart
K:A dor
e~e2 cAA| EAA cAA| e~e2 cAA| BGB dcB| !
e~e2 cAA| EAA cAA|ece gag |1 edc Acd :|2 edc A~A2 || !
EAc Acd| ege dcA|cBc AGE|cBc AGE|!
A~A2 cAc|ege dcA|e~e2 ged|cAG A~A2:|| !

X: 27
T:Chuck Furey's Reel
R:Reel
C:Emile Benoit
M:C|
L:1/8
Z:Gerry Strong
K:D
ED|B,EEF G2 GB|AGFA BEED|B,EEF GFGB|AGFD E2 ED|B,EEF G2 GB|AGFA BEED|B,E
EF GFGB|AGFD E2 E2||
Beed B2 BA|GABA GE E2|Beed B2 AB|Bede fe ~e2|Beed B2 BA|GABA GEED|B,EEF
GBGB|AGFD E4||

X: 28
T:Claudine
R:Reel
C:Emile Benoit
M:C|
L:1/8
Z:Gerry Strong
K:D
:|~A2 FA DAFA|~G2 E=C G=CEG|~A2 FA DAFA|Bcde fd ~d2:|
|:Adde fded|=cded =cAGE|Ddde fded|=c AGE ED ~D2|Adde fded|=cded =cAGE|Dd
de fded|dage ed ~d2:|

X: 29
T:Cloch na Ceithre Mhile
M:C|
L:1/8
C:Arthur Darley
S:Mairead Mhaonaigh etc. (Ceol Aduaidh)
R:Reel
B:The Four Mile Stone
H:1999-11-23 02:40:59 UT
Z:http://home.istar.ca/~rickerc/tunes/net2.abc
K:C
~A,2 EA, ~A,2 EA, | ~A,2 GE DB,A,B, | G,2 (3B,A,G, DG,B,A, | G,B, (3BBB,
 G,B,DB, |!
~A,2 EA, ~A,2 AB | (3BBA BG AGAB | (3BBA BG AGEA |  GEDB, G,A,A,G, :|!
(3A,EA BA eABA | A,E (3EEE D2 B,G, | (3B,A,G, DG, EG,D2 | (3ded (3BdB (3
GAG DA, |!
(3B,DE AA AB (3cde | AGED E2 AB | (3BBA BG AGEA | GEDB, G,A,A,G, :|!

X: 30
T:Colonel Frazer
M:C|
R:reel
D:Johnny Doran
D:Conal O'Grada: The Top of Coom
Z:id:hn-reel-553
K:G
dc|:BGAF DG~G2|AF~F2 ABcA|BGAF GBdg|fdcA dBcA|
BGAF DG~G2|AF~F2 ABcA|BGAF GBdg|1 fdcA G2dc:|2 fdcA G2Bc||
|:dggf g2ag|fddc ABcA|dggf g2ag|fdcA GABd|
~g3f d2dc|~B3G ~A3F|GBAc (3Bcd eg|1 fdcA G2Bc:|2 fdcA G2GA||
|:Bd~d2 BGdB|AF~F2 ABcA|Bd~d2 BcdB|cAFG AG~G2|
Bd~d2 BGdB|AF~F2 ABcA|GBAc Bdeg|fdcA G2GA:|
|:B2GB ~B2GB|A2FA ~A2FA|B2GB ~B2GB|cAdc AGGA|
B2GB GBGB|A2FA FAFA|GBAc (3Bcd eg|fdcA G2GA:|
|:(3Bcd gd (3Bcd gd|Adfd Adfd|Bdgd Bdgd|cAdc AG~G2|
[1 Bdgd Bdgd|Adfd gdfd|GBAc Bdeg|fdcA G2GA:|
[2 Bdga agdA|F2Ad fdAF|GBAc Bdeg|fdcA G2dc||
"variations"
|:BG~G2 DG~G2|ABcA dBcA|BGAF G2 (3efg|fdcA dBcA|
BG~G2 DG~G2|AF~F2 (3dcB (3cBA|BGAF G2 (3efg|1 fdcA G2dc:|2 fdcA G2Bd||
|:~g3f gaag|fdcA AB~B2|~g3f gaag|fdcA AGBd|
~g3f dedc|~B2GB ADFA|~G3A Bdeg|1 fdcA G2Bd:|2 fdcA G2GA||
|:(3Bcd ^cd B=cdB|AF~F2 ABcA|BGdG BG (3Bcd|cAcd AG~G2|
BGdG BGdB|AF~F2 ABcA|~G3A (3Bcd (3efg|fdcA G2GA:|
|:B2GB ~B2Gd|A2Fd A2Fd|B2DG BGBd|cAFG AGGA|
GB~B2 ~B2GB|A2~A2 ~A2FD|~G3A Bdeg|fdcA G2GA:|
Bdgd Bdgd|Adfd Adfd|(3Bcd gd (3Bcd gd|cAFG AG~G2|
(3Bcd gd gdgd|Adfd adfd|~G3A (3Bcd eg|fdcA G2GA||
Bdgd Bdgd|Adfd Adfd|(3Bcd (3Bcd gd (3Bcd|cAFG AG~G2|
Bdga agdA|FAdf fdAF|~G3A (3Bcd eg|fdcA G2||

X: 31
T:Colonel Roger
M:2/2
L:1/8
R:Reel
D:Frankie Gavin, "Up and Away"
Z:Robert Greenway
K:G
(3DEF|G2dB cAFA|GABc dBcA|G2dB cAFA|G2FA G2 (3DEF|!
G2dB cAFA|GABc defg|afge fdcA|G2FA G2:|!
de|f2de fdcA|Gggf g2ag|f2de fdcA|G2FA G2de|!
f2de fdcA|Gggf g2ag|f2de fdcA|G2FA G2:|!

X: 32
T:Come have a drink with me
M:6/8
L:1/8
Z:Rachel Marsh
K:Em
A | BAG E2 D | EGD EGA | BAB GED | EA^G ABc | BAG E2 D |
EGD EGA | BAB GED | EGF G2  :||
G | GBd e2 d | dgg B2 A | GBd edB | caa a2^a  | bag age |
(3efg d (3efg e | dBG ABc | BGF G2 :||

X: 33
T:Cooley's (A part only)
M:2/2
L:1/8
R:Reel
Z:Robert Greenway, 16/2/1999
K:EDor
EB{c}BA B2EB|~B2AB dBAG|(3FED {c}AD {c}BD{c}AD|(3FED FA dA{FG}FD|
EB{c}BA B2EB|~B2AB defg|{c'}af{d}ef dBAF|DE~E2 E4||

X: 34
T:Cooley's Reel
M:4/4
L:1/8
Z:Rachel Marsh,  17/10/1999
K:Em
F|EBBA B2 EB|B2 AB dBAG|(3FED AD BD AD|FDFA dAFD|
EBBA B2 EB|B2 AB defg|afef dBAF|DEFD E2 :|
|: gf|eB B2 egfg|eB B2 gedB|A2 FA DAFA|BAFA defg|
eB B2 egfg|eB B2 defg| afef dBAF|DEFD E2 :|

X: 35
T:Crossing the Shannon
T:Funny Reel, The
M:C|
L:1/8
S:Bernadette FitzSimon
R:reel
Z:id:hn-reel-614
K:D
Ad~d2 AGFG|Ad~d2 fdcd|Ad~d2 AGFG|AGFG E2FG|
Ad~d2 AGFG|Ad~d2 fdcd|Adfa gefa|gece d2FG:|
|:Ad~d2 fage|fage fdBd|Ad~d2 AGFG|AGFG E2FG|
Ad~d2 fage|fage fdBd|Adfa gefa|gece d2FG:|

X: 36
T:Cup o' Tea, the
M:4/4
L:1/8
Q:1/2=60
S:Glenna's old fiddle book (I think a Mel Bay but covers torn off)
R:reel
Z:James T. Peeples
K:D
{Bd}BAGF GE~E2|GEBE GE~E2|1 BAGF GE~E2|FDAG FDD2:|2 BAGF GABc|d2AG FDD2|
|
|:d2eg fdec|d2eg fB~B2|d2eg fdec|dBAG FDD2|
|d2eg fdec|dfaf {a}g2fg|af{a}ge fdec|1 dBAG FDD2:|2 dBAG FDDE||
|:FA (3AAA FAdA|FAdA FE~E2|FA (3AAA {d}BABc|dBAG FDDF|
|FAdA FAdA|FAde fe{a}e2|f2{af}e cdAF|1 GBAG FDDE:|2 GBAG FD{A}D2||

X: 37
T:Cup of Tea, The
M:C|
R:reel
Z:Sometimes played as a two-part-only reel.
Z:id:hn-reel-63
K:Edor
BAGF EDEF|GEBE GBE=c|BAGF EDEG|(3FED AD FAD=c|
BAGF EDEF|(3GFEBE GBE=c|BAGF GAB^c|1 dBAG FDD=c:|2 dBAG FDD2||
|:d2 (3efg fdec|dfeg fB~B2|d2 (3efg fdec|dBAG FDD2|
d2 (3efg fdec|dfaf g2fg|afge fdec|dBAG FDD2:|
|:FAdA FABA|FAdA FE~E2|~F3A BABc|dBAG FDD2|
FAdA FABA|FAde fe~e2|fedc dBAF|1 GBAG FDD2:|2 GBAG FDD=c||
"Variations:"
BAGF GEEF|GEBE GE~E2|BAGF GE~E2|DFAG FDDA|
BAGF GE~E2|B,E~E2 GE~E2|BAGF GBe^c|1 dABG FDD=c:|2 dABG FDD2||
|:~d3e fgfe|dced fBBc|dcde fgfe|dABG FDD2|
dcde fgfe|dfaf g2fg|afge fdec|dABG FDD2:|
|:FAdA FABA|FAdA BE~E2|~F3A ~B3c|dBAG FDD2|
FAdA FABA|FAde fe~e2|fedc dBAF|1 GBAG FDD2:|2 GBAG FDDA||

X: 38
T:Curlew, The
M:C|
C:Josephine Keegan
R:reel
D:Altan: Horse with a Heart
Z:id:hn-reel-367
K:Bdor
fB~B2 Bcde|fece ~a3e|(3fga ed cA~A2|^GAce a^gba|
fB~B2 Bcde|fece ~a3f|~=g3e ~f3e|dBBA FB~B2:|
|:(3Bcd cd BF~F2|DF~F2 Bcdf|ecBc AE~E2|CEAB cedc|
(3Bcd cd BF~F2|DF~F2 Bcdf|ecBA fcec|dcBA FB~B2:|

X: 39
T:Denis Dooty's
M:2/2
L:1/8
R:Polka
Z:Robert Greenway
K:Em
G2E2 E2D2|B2E2 E3G|FGAF D3E|F2G2 ABBA|!
G2E2 E2D2|B2E2 E3F|G2A2 BcBA|1 G2F2 d3F:||2 G2F2 d4|!
||:B2e2 efed|B2e2 efed|B2d2 e2f2-|f2g2 e2f2-|!
f2g2 f2g2|e2B2 B2A2|B4 E3F|1 G2A2 B4:||2 G2A2 B3A||!

X: 40
T:Devanney's Goat
M:4/4
L:1/8
Q:120
R:reel
P:2
Z:Gerry Strong
K:D
DFAB AFEF|defe dBAF|DF ~F2 BF ~F2|~E3 F EGFE|DFAB AFEF|defe dBAf|efdB
AFdB|AFEF D2 z2:|
|:faab afef|afef dB ~B2|ABde fd ~d2|edfd edBd|ABde fd ~d2|edfd edBd|ABdB
AFEF|AFEF D2 z2:|

X: 41
T:Dick Gossip's
T:Castle Reel, The
M:C|
R:reel
N:Sometimes played with the parts in the opposite order
Z:id:hn-reel-52
K:D
F2AF GFED|F2AF GFED|~E3F GFED|~E3F GFED|
F2AF GFED|F2AF GFED|ABde fgec|1 dfec dBAG:|2 dfec d2ef||
|:gB~B2 gBaB|gB~B2 gfed|(3cBA eA fAeA|(3cBA eA cdef|
gB~B2 gBaB|gB~B2 gfed|cdef gece|1 dfec d2ef:|2 dfec dBAG||
"Different version of 1st part:"
|:F2AF BFAF|F2AF GFED|~E3F GFED|~E3F GFED|
F2AF BFAF|F2AF GFED|(3Bcd ef gece|1 dfec dBAG:|2 dfec d2ef||

X: 42
T:Dove Crag
C:Chris Ormston (copyrighted)
M:4/4
L:1/8
Z:bil@blueskiesink.com
K:D
fe|d2 f2 A2 bC|d2 a2 f3 d|e3 f gfed|f2 e2 e2 fe|d2 f2 A2 Bc|d2 A2 f3 a|B
ABd cAce|d5:||ag|f2 a2 d2 ag|f2 d2 a3 d|e3 f gfed|f2 e2 e2 |1ag|f2 a2 d2
 ag|f2 d2 a3 A| BGBd cAce|d5:||:2|fe|d2f2 a2 BC

X: 43
T:Dr. Best, The Best
R:reel
C:Emile Benoit
M:C|
L:1/8
Z:Gerry Strong
K:G % transposed from A
|:B,DG,D B,DG,D|B,DG,G B2 AG|FADA FADA|FADA c2 BA|GdBd GdBd|GdBd g2 fe|d
BgedBcA|1B2 G2 G4:|2B2G2G2D2||
|:GGGB d2 BG|cBcd e2 de|dBGB dBGB|c2A2A2D2|GGGB d2 BG|cBcd e2 de|dBge dB
cA|1B2G2G2B2:|2B2 G2 G4||

X: 44
T:Fer Lyskerys
M:4/4
L:1/8
R:reel
Z:bil@blueskiesink.com
K:G
D2|D2 GG G2 FG|E2 FG A2 FD|D2 GF E2 AG|F2 EF G3 D2:|!
G2 G2 G3 A|G2 FE D2 Bc|d2 d2 cBAc|B6 D2|G2 G2 G2 A2|
G2 FE D2 GB|Bc d2 cBAG|B2 D2 D2 GA|Bc d2 cBAF|G6 z||

X: 45
T:Festival Reel
R:Reel
C:Emile Benoit
M:C|
L:1/8
Z:Gerry Strong
K:G
ef|:eAAA BAGE|GEDE GABc|dBcA BGEG|cdBG A2 ef|eAAA BAGE|GEDE GABc|dBcA BG
EG|1cdBG A2 ef:|2cdBG A4||
|:eaag a2 ga|bage aged|g2 dc BGBd|gdBd cBAG|eaag a2 ga|bage aged|g2 dc B
GBd|egdB A4:|

X: 46
T:Finbar Dwyer's
T:Fox on the Town, The
T:Richard Dwyer's
M:C|
C:Finbar Dwyer
R:reel
H:See also #619 (different version)
Z:Chris Corrigan
K:G
gdBd edBA|G2Bd edBd|gdBd edef|gefd efga|
bggd edBA|G2Bd edBd|efgb agef|1 gbaf g2gf:|2 gbaf g2ga||
be~e2 edBd|e2Be dega|be~e2 edBd|efgb a2ef|
~g3d edBA|G2Bd edBd|efgb agef|1 gbaf g2ga:|2 gbaf g2gf||

X: 47
T:First Day of Spring
M:4/4
L:1/8
C:Geoff Wysham
N:I wrote this on an unseasonably beautiful first day of Spring in 1995.
Z:Geoff Wysham
K:D
DA AG A2 Bc-|cA GB AD D2|DA AG A2 Bc-|cA GB A4|
DA AG A2 Bc-|cA GB AD D2|=F2 =F2 =FD =CA, G,A, =CE D4:|
|:ag fa (3gag fe|dc de fe fg|ag fa gf ed|cB A^G A4|
ag fa (3gag fe|dc de =fe =fg|a2 a2 ag fe|dB AF D4:|

X: 48
T:Floating Crowbar, The
M:C|
R:reel
D:Arty McGlynn: McGlynn's Fancy
Z:id:hn-reel-240
K:Dmix
AD (3FED AD (3FED|AD (3FED A2GF|EG~G2 {c}AGED|EF{A}GF GABd|
AD (3FED AD (3FED|AD (3FED G2FG|~A3B cd{a}ed|1 cAGE D2dB:|2 cAGE D2 (3EF
G||
|:Ad{e}d^c d2 (3B^cd|ea{b}ag ef{a}ge|~A3B {c}AG (3EFG|A2GF EF{A}GE|
Ad{e}d^c d2 (3B^cd|ea{b}ag ef{a}ge|af{a}ge d2{a}ed|1 cAGE D2 (3EFG:|2 cA
GE
D2dB||
"Variations:"
AD{A}D{F}D AD{A}D{F}D|AD{A}D{F}D A2GF|EG~G2 AG~G2|EG~G2 EFGB|
AD{A}FD AD{A}FD|AD{A}FD G2FG|AGAB cd{a}ed|1 cAGE D2dB:|2 cAGE D2 (3EFG||
|:Azd^c d2 (3B^cd|ea{b}ag ef (3gfe|A2{c}AB {c}AGFG|(3ABA GF EF{A}GE|
Dd{e}d^c d2^cd|e2ag ef{a}ge|af (3gfe dfed|1 cAGE ED (3EFG:|2 cAGE EDdB||

X: 49
T:Flowers of Brooklyn, The
M:C|
C:Bill McComiskey
R:reel
D:Kevin Crawford: D flute album
Z:Henrik Norbeck
K:G
B2AB GEED|cAAG FAdc|Bg~g2 edcB|AF~F2 dBBA|
B2AB GEED|cAAG FAdc|Bg~g2 ecAF|GBAF ~G3z:|
|:dg~g2 agfg|ea~a2 c'a~a2|ge~e2 dGBd|cAAG FAdc|
[1 dg~g2 agfg|ea~a2 c'a~a2|gbag fdcA|GBAF ~G3z:|
[2 B2AB GEED|cAAG FAdc|Bg~g2 ecAF|GBAF ~G3z||

X: 50
T:For the Sakes of Old Decency
M:2/2
S: Michael Tubridy, "The Chieftains Live", also "The Eagle's Whistle"
R:Reel
Z:Robert Greenway, 12/11/1998
K:G
d2BG AGEG|DGBG ~A3B|~d2BG AGEG|DGBG EGG2:||
~G3B d2Bd|eaag e~g3|~G3B d~B3|dega bgg2|
~G3B d2Bd|eaag e~g3|~G3B d~B3|dega bage||

X: 51
T:Frankie Gavin's
T:The Firm Old Tune (An Shean Fonn Dur)
T:Joe Keegan's Jig
T:The Lake Shore
M:6/8
L:1/8
R:Jig
Z:Andrew Pickering, 21/4/2000
K:D
EFG A2B|=cB=c E3|DEF G2A|GED GED|EFG A2B|=cB=c EFG|ABA GFE|FDD D3:|
fdd cde|fdd d2e|f3 e2d|cAG A3|def g3|age d2=c|ABA GFE|FDD D3:|

X: 52
T:Free Trade
R:reel
C:Emile Benoit
M:C|
L:1/8
Z:Gerry Strong
K:C
|:Gccd e2 cd|ecdc Ac G2|Gccd e2 ee|gedc d2 d2|Gccde2 cd|ecdc Ac G2|Gccd
e2 ee|ge d2 c4:|
|:eaag e2 cd|e2 AA A2G2|Gccd e2 ee|gedc d2 d2|eaag e2 cd|e2 AA A2G2|Gccd
 e2 ee|ge d2 c4:|

X: 53
T:geaftaí Bhaile Buí
M:4/4
L:1/8
S:Marcas Murchú
Z:Bernhart,  20/1/1999
K:G
GA B2 (G/2A) (G/2B) D2 G4 | G2G g2 d g2| dcB2 D2 G4 A2 B2 (G/2A) |1
(F/2 G) (D/2E4):||2 G4G2||!
|d4Bd4 e2 g4|e4e2d2 g4 e d2| dcB2 D2 G4 A2 B2 (G/2A) (F/2G) (D/2E4)||

X: 54
T:Geld him lassies, geld him
M:3/2
L:1/8
C:Trad arr. Martin Dunne
R:Hornpipe
Z:Richard Moon
K:D
d4A2 Bc d2 D2|F2 A4 d2 c2 BA|e4 B2 cd e2 E2|G2 B4 d2 c2 BA:||!
d3 e defg agfe|d2 f4 a2 g2 f2|ef g2 fg a2 ga b2|g2 e4 B2 c2 BA:||!
"Harmony"
D2 F4 F2 A2 Bc|d4 A2 GF E2 D2|E2 G4 A2B2 cd|e4 B2 AG F2 F2:||!
D2 F4 F2 A2 Bc|d3 B AGFD EFGA|B2 d4 c2 B2 G2|AB c2 EF G2 CD E2:||

X: 55
T:Gerry Cronin's Reel
M:2/2
L:1/8
R:Reel
D:Siona, "Launching the Boat"
Z:Robert Greenway, 13/1/1999
K:C
c2ec AGED|C~A,3 G,A,CD|EGcd ecdc|Addc dfed|
c2Bc AGED|C~A,3 G,A,CD|EGce dBcA|1 GEDG EC,EG:|2 GEDB, C2EG|
|:c2gc acgc|fcec dcBc|Gc~c2 Gcea|gece d2eg|
a~e3 gede|cdec dcAG|EGce dBcA|1 GEDG EC,EG:|2 GEDB, C2EG||

X: 56
T:Gerry Squires' Palette
C:Emile Benoit
M:6/8
L:1/8
Z:Gerry Strong
K:D
f2 g|:a2 b a2 g|f2 d e2 d|BAG B2 d|B2 A A2 G|F A2 d2 e|f f2 g2 f|1e2 Bc
d2|e3 f2 g:|2e2 B cBA|d3 A2 G||
|:FED F2 A|d3 d2 c|BAG B d2|B2 A A2 G|F A2 d2 e|f f2 g2 f|1e2 B c d2|e3
A2 G:|2e2 B cBA|d3||

X: 57
T:Go to Berwick, Johnny
M:3/2
L:1/8
C:Trad. Arr. Martin Dunne
R:Hornpipe
Z:Richard Moon
K:F
c2 F2 F2 c2 dcBA|c2 F2 F2 c2 A2 f2|c2 F2 F2 c2 dcBA|B2 G2 G2 A2 B2 d2:||
!
f3 g f2 c2 ABcA|f3 g f2 c2 f2 a2|f3 g f2 c2 ABcA|B2 G2 G2 A2 B2 d2|
f3 g f2 c2 ABcA|f3 g f2 c2 f2 a2|agfe gfed fedc|B2 G2 G2 A2 B2 d2||

X: 58
T:Golden Slippers
M:C|
L:1/8
R:reel
P:Golden Slippers
Z:bil@blueskiesink.com
K:G
GA |: "G"B2B2 BAGA | B2B2 B2GA | B2B2 c3B | "D7"B2A2 A2FG |  A2A2 AGFG |
 A2A2 A2FG | A2c2 B2A2 | "G"A2G6 :||| "G"D6 G2 | B2A2 G2F2 | "C"E6 G2 |
"Am"c2B2 A2G2 | "D7"F3D F2G2 |1 A2A2 A2D2 | "G"G2D2 G2A2 | B8 :|2 A2A2 A
2c2 | B3c B2A2 | "G"G8 |]

X: 59
T:Good natured man, The
M:4/4
L:1/8
R:Hornpipe
Z:Andrew Pickering, 17/2/1999
K:G
ef|g2 bg degd|BcdB GABG|cBcd cBAG|FGAB cdef|
g2 bg degd|BcdB GABG|cBcd cBAG|(3ABA GF G2:|
Bc|dBdB ~g3f|ecec ~a3g|f2 df g2 eg|fgaf defd|g2 bg degd|
BcdB GABG|cBcd cBAG|(3ABA GF G2:|

X: 60
T:Halfway House, The
M:C|
R:reel
Z:id:hn-reel-253
K:A
A2cA BcAF|~E3F ABce|~a3e faec|dBcA BdcB|
A2cA BcAF|~E3F ABce|~a3e faec|1 dBGB ~A3E:|2 dBGB ~A3F||
|:E2GE BEGE|A2cA eAcA|B2^dB fBdB|e2ge bege|
~a3e faec|defg a2ga|bgaf ge~e2|1 dBGB ~A3F:|2 dBGB ~A3E||

X: 61
T:Halfway House, The
M:C|
R:reel
Z:id:hn-reel-253
K:A
A2cA BcAF|~E3F ABce|~a3e faec|dBcA BdcB|
A2cA BcAF|~E3F ABce|~a3e faec|1 dBGB ~A3E:|2 dBGB ~A3F||
|:E2GE BEGE|A2cA eAcA|B2^dB fBdB|e2ge bege|
~a3e faec|defg a2ga|bgaf ge~e2|1 dBGB ~A3F:|2 dBGB ~A3E||

X: 62
T:Happy Days of Youth
M:2/2
L:1/8
R:Reel
D:Frankie Gavin, "Up and Away"
Z:Robert Greenway
K:G
~e3d ~B3A|GABG AE~E2|~G3B dg (3efg|dBAc BGG2|!
gfed edBA|GABG AE~E2|~G3B dg (3efg|dBAc BGG2||!
fgag fd~d2|edef g3f|eB~B2 GB~B2|BAGA BAA2|!
fgag fd~d2|edef g3a|bgaf gfed|egfa g3f||!

X: 63
T:Harvest Home
M:4/4
L:1/4
R:hornpipe
Z:John Harvey
K:D
AF|DAFA DAFA|defe dcBA|eAfA gAfA|(3efe (3dcB (3ABA (3GFE|DAFA DAFA|defed
cBA|eAfAgecA|d2 f2 d2:|
cd|eA ~A2 fA ~A2|gAfA eA ~A2|eAfA gAfA|(3efe (3dcB (3ABA (3GFE|DAFA DAFA
|defe dcBA|eAfA gecA|d2 f2 d2:|

X: 64
T:Harvest Home
M:C|
L:1/8
R:hornpipe
H:One of the most common session tunes. Often played w "The Boys of
H:Bluehill"
Z:id:hn-hornpipe-44
K:D
|:AF|DAFA DAFA|dfec dcBA|(3efg (3fga (3gfe (3fed|edcB AGFE|
DAFA DAFA|dfec dcBA|(3efg (3fga gece|d2f2 d2:|
|:cd|eA~A2 fA~A2|gAfA eA~A2|(3efg (3fga (3gfe (3fed|edcB AGFE|
DAFA DAFA|dfec dcBA|(3efg (3fga gece|d2f2 d2:|

X: 65
T:Have a Drink w' Me
T:Old As the Hills
R:jig
S:Mike Rafferty from Barrel Rafferty
N:the version on The Branch Line is slightly different
D:The Branch Line, Jack and Fr. Charlie Coen
Z:Lesl
M:6/8
L:1/8
K:G
d3|:BAG E{D}ED| EGD E2d| BAB GED| EA{B}A {G}AGA|
BAG E2D| EGD E2d|BAB GED|1 EGG G2A:|2 EGG G2B||
|c2d efg|ded BAG|c2d ege|deg gdB|
 c2d e~e2|ded BAB|GED EGG |G5B||
|c2d efg|ded BAG|c2d e~e2|deg gdB|
 c2d efg|ded BAB|GED EGG |G5B||

X: 66
T:Hills of Coor, The
M:C|
C:Martin "Junior" Crehan
R:hornpipe
D:Cran: The Crooked Stair
Z:id:hn-hornpipe-71
K:Ador
AG|EAAB AGEG|cd (3ede ged2|(3efg ab gedB|(3cBA BG AGED|
EAAB AGEG|cd (3ede ged2|(3efg ab gedB|DEGB A2:|
|:Aa|ae (3abc' ae (3abc'|gd (3gab gddg|(3efg ab gedB|(3cBA BG AGED|
EAAB AGEG|cd (3ede ged2|(3efg ab gedB|DEGB A2:|

X: 67
T:I Didn't Drink the Rum
M:4/4
L:1/8
Q:80
R:polka
Z:Gerry Strong, 13/4/2000
K:G
B>c|:ddcA B2 AG|FDGG FD B>c|ddcA B2 AG|
M:3/4
L:1/8
|1FD G2 B>c:|2FD G2 g>g|
M:4/4
L:1/8
|fd g>g fd f>g|agfe d2 G2|B>cdd cA B2|AGFD G2 g>g|fd g>g fd f>g|agfe d2
G2|B>cdd cA B2|AGFD GGFD|B>c ddcA B2|AGFD G2|

X: 68
T:Iomramh eadar Il'as Uist
M:6/8
L:1/8
S:Rebecca Knorr
Z:Jack Campin
Z:http://www.purr.demon.co.uk/jack/jack.html
K:BMin
F|B2B d2e|c2B c2e|B2B f2f|gfe f2c|
d2d e2d|c2B c2e|gfe f2c|[1 d2B AB:|[2 B2c d2|]
A|F2F F2E|F2F d2e|c2B A2F|E2D E2G|
F2F F2E|F2F d2e|c2B A2c|B3- B2:|

X: 69
T:Iomramh eadar Il'as Uist
T:Rowing from Islay to Uist
S:Rebecca Knorr
Z:Jack Campin
Z:Transposed from BMin by Gordon Turnbull
D:Ossian, St. Kilda Wedding
B:Simon Fraser Collection?
M:6/8
L:1/8
K:AMin
E|A2A c2d|B2A B2d|A2A e2e|fed e2B|
c2c d2c|B2A B2d|fed e2B|[1 c2A GA:|[2 A2B c2|]
G|E2E E2D|E2E c2d|B2A G2E|D2C D2F|
E2E E2D|E2E c2d|B2A G2B|A3- A2:|

X: 70
T:Jerry McDonald's Kibitzer
R:Reel
C:Emile Benoit
M:C|
L:1/8
Z:Gerry Strong
K:G
ef|:gebe gebe|gebe geeg|fada fada|fada fddf|1gebe gebe|gebe geeg|fada fa
da|gafd e2 ef:|2gfga bgaf|gefd ed A2|gefd e2 gf|
|:edBA dBAF|d2 AG FDDF|EEFD EFGA|gefd e2 gf|edBA dBAF|d2 AG FDDF|EEFD EF
GA|1gefd e2 gf:|2gefd e2||

X: 71
T:Jockey Lay Up In The Hay Loft
M:9/8l
C:Trad
S:Northumbrian Minstrelsy
Z:bil@blueskiesink.com
K:G
G2B2G2 G2B2G2 F4 D2| G2B2G2 G4 B2 c2A2F2|G2B2G2 G2B2G2 F4 D2|\
=F2G2A2 =f4 d2 c2A2F2:: Bcd2B2 ABc2A2 B4 G2| Bcd2B2 c2A2d2 c2A2F2|\
Bcd2B2 ABc2A2 B4 G2| =F2G2A2 =f4 d2 c2A2F2:|

X: 72
T:John Dwyer's
M:2/2
L:1/8
R:Reel
N:Title from Philippe Varlet
Z:Robert Greenway, 13/11/1998
K:G
ge|d~B3 GEDE|G~B3 dBGB|AGAB AGED|(3EFG AB c2Bc|
d~B3 GEDE|G~B3 dBGA|~B3A Bdge|dBAB G2:||
|:ga|b~g3 b~g3|a~f3 a~f3|b~g3 bgag|eaag a2ga|
b~g3 agef|~g3e dBGA|~B3A Bdge|dBAB G2:||

X: 73
T:John Kelley's Reel
M:4/4
N:Paul McGrattan's workshop 9/11/99
O:Irish
R:Reel
Z:Thomas Keays
K:D
P:A
BEED Bcdc | B2AF DEFA | BEED Bcdc | B2AF E2FA :|
P:B
Beec dff2 | edBc dBBA | Beec dff2 | edBc d2ed |
Beec dff2 | edBc d2 ef | g3e f3e | dBBA dfed |]

X: 74
T:John Lardner's Reel
M:C
L:1/8
Z:Philippe Varlet
K:A Major
A2cA B2AF|E3F ABce|a2ge faec|cBBA B2cB|!
A2cA B2AF|E3F ABce|a2ge faec|BABc A4:|!
E2GE BEGE|A2cA eAcA|B2^dB fBdB|e2ge bege|!
agae faec|defg a2fg|a2ge faec|BABc A4:|!

X: 75
T:John Lardner's Reel
R:reel
M:2/4
L:1/16
Z:bil@blueskiesink.com
K:G
DF|G2GB AGFA|GBdf g2fg|afdf gfed|cBAG FADF|G2GB AGFA|GBdf g2fg|afdf
gfed|cBAG FAD2:||D2|D2FD ADFA|G2BG dGBG|A2cA eAcA|d2fd afdf|gfgd egdB|cd
ef
gfge|dgfe dcBA|BDF

X: 76
T:Johnny McGoohan's
M:2/2
L:1/8
C:Ed Reavy
S:The Collected Compositions of Ed Reavy
R:Reel
N:Good musicians need good listeners, and two
N:of the best listeners where Johnny and his wife Katey. Johnny would
N:be waiting on his front porch hours before "the fellows" were
N:expected on an evening for a session of music; and no matter how
N:long they played, it was never too late for a few more tunes at
N:the McGoohans. Tea and skohn did not mean (as it usually does) that
N:the fiddling would stop. As Johnny would put it, "We'll have a bite
N:to eat and be back at it for a few more before the night is done."
N:And Katey would never disagree.
Z:Joseph Reavy
K:G
DF|G2 Bd gdBG|DGBd cAFA|G2 Bd gdBd|cBAG FADF|GABd gfaf|gedB A2 Bc|(3dcB
(3cBA BGAF|1 ACB,A, G,A,B,D:|2G2 Ac BGGA||B2 GA Bdef|gfga gedc|B2 GA B2
eB|
dBAG EGGA|B2 GA Bdef|gfe^c d2 ef|gbag fagf|1 e^cAF G2 GA:|2 e^cAF G2||

X: 77
T:June Ni Chormaic's
M:2/2
L:1/8
R:Reel
Z:Robert Greenway, 24/11/1998
K:EDor
~E2GA B~E3|c2BA B~E3|~D3F A~D3|ABBA AGFD|
EFGA Beed|edBA G3A|BAGB ADFA|GEED E4:|
|;efed (3Bcd ef|gfed ed (3Bcd|edef ~g3e|fedf e3f|
g2fg edBA|AGFA G3A|BAGB ADFA|GEED E4:|

X: 78
T: June Ni Chormaic's
M: 2/2
L: 1/8
R: Reel
Z:Robert Greenway, 24/11/1998
K: D
d~A3 AGFE|D2BD ADFA|B~E3 (3Bcd ef|g2fg eafe|
d~A3 AGFE|D2BD ADFA|B~E3 (3Bcd eg|fgfe d2 (3ABc:|
|:d~A3 AGFG|A2af gfed|Beed ~e3f|g2fg eafe|
d~A3 AGFG|A2af gfef|defd B2dB|AFAB d2 (3ABc:|

X: 79
T:Jyg:Porthlystry
M:6/8
L:1/8
R:Jig
Z:bil@blueskiesink.com
K:D
A G|FGA DFA|GAB E2 D|CDE A,CE|FGA D2 AF:|!
D3 D FG|AGF dAF|GAB EGB|cde Ac
e|def c2 f|fed fed|efg Bef|cde BcG|FGA D3:|

X: 80
T:Jyg:Try Scoler
R:JIg
M:6/8
L:1/8
Z:bil@blueskiesink.com
K:D
AFD DED|FGA AGF|GFE EFG|FGA BAA|AFA AFA|Bcd cBA|Bcd AFD|EFE CB,A,

X: 81
T:Kavana's Craic
M:4/4
C:Chris Corrigan
R:Reel
Z:Chris Corrigan
K:Ador
EAAG ABcA|B2 dB eBdB|EAAG ABcA|BAGB A2 AG|
EAAG ABcA|B2 dB eBdB|EAAG ABcd|1 edBc A2 AG:|2 edBc A2 (3ABc|
||:K:D
d2 dc dAFD|G2 BG FGAF|d2 dc dAFD|GBAG FG E2|
d2 dc dAFf|gfeg fedB|ABde fedf|afdf edBA:||
W: For Ron Kavana, after an appearance he put in at a party at
W: John Gothard's, in Vancouver B.C. Crawling on the floor,
W: reaching for a telephone, and this reel just popped right out!

X: 82
T:Kerfunten Jig, The
M:6/8
C:Hammy Hamilton
R:jig
Z:id:hn-jig-171
K:G
~B3 BAG|dBd efg|dBd edB|~A3 DFA|~B3 BAG|dBd efg|dBd edB|1 ~A3 G2A:|2 AGF
 GBd||~g3 gab|~e3 edB|~g3 gab|bag ~a3|~g3 gab|~e3 efg|dBd edB|1 AGF GBd:
|2 AGF G2c||
"Variations"
~B3 BAG|dBd efg|~d3 gdB|BAG ABc|~B3 BAG|dBd efg|~d3 gdB|1 AGF G2A:|2 AGF
 GBd||~g3 gab|~e3 edB|~g3 gab|bag a2b|~g3 gab|~e3 edB|dBd gdB|1 AGF GBd:
|2 AGF G2c||

X: 83
T:Kildevil Air
M:4/4
L:1/8
Q:50
C:Gerry Strong
R:Air
Z:Gerry Strong
K:G
E|:E3-E E F/2 E/2 D/2 B/2 ^c/2 d/2|e4-eBef|g6 fe|f6 ed|e2 B6-|B-B2-B3 Bc
A|B6 AG|A6 z F|1F2-F3 F G/2F/2E/2D/2|E8-|E6-E E:|2F4-F F G/2F/2E/2D/2|E8
-|E2-E3 B ef|
|:g4-g a b/2a/2g/2e/2|f6 ef|g4-g a b/2g/2e/2d/2|e6 f e/2 d/2|eB-B6-|B4-B
 BcA|B6 AG|A6 z F|F4-F F G/2F/2E/2D/2|1E8-|E2-E3 Bef:|2E8||

X: 84
T:Kit O'Mahoney's
M:4/4
L:1/8
R:Hornpipe
Z:Andrew Pickering, 21/4/2000
K:G
GA|B2BG ABAG|FGAB cAFA|DGBd cAFA|D2 G2 G3 A|B2BG ABAG|FGAB cAFA|f3 d ecA
F|D2 G2 G2:|
GD|GABc d2 g2|defd cAFA|GABc d2 ef|gagf d2 ef|gBeg fAAf|efed ^cd (3efg|f
afd ecAF|D2 G2 G2:|

X: 85
T:Landsdowne Lass
M:4/4
L:1/8
Z:Gerry Strong,  29/9/1999
K:D
DEFA GEFE|DEFA defa|g2ed cAGE|FAGF EAGE|\
DEFA GEFE|DEFA defa|g2ed cAGE|FAGE D4:||\
d2fd adfa|bfaf gfed|cAA2 BGG2|AGFD EFGE|\
defa g2fg|a2ge fdcA|ABce dBAG|(3FGA GED2:||

X: 86
T:Launching The Boat
M:C|
L:1/4
C:Francie Byrne
Z:Chris Corrigan
K:D
c|:d2fd AGFA|BE~E2 BAFA|d2fd AGFD|EFGA BABc|\
defd AGFA|BE~E2 BAFG|A2FA dAFD|EFDE FDFA::\
fd~d2 fdad|fadf a3f|ge~e2 (3gfe be|gbeg beag|\
fadf edBc|defd AGFG|(3ABA FA dAFD|EFDE FDFA:|

X: 87
T:Le Papier, Le Gaboteur
R:Jig
C:Emile Benoit
M:6/8
L:1/8
Z:bil@blueskiesink.com
K:D
|:Ace a2 e|fed cBA|GBd gdB|=c2 e dBG|Ace a2 e|fed cBA|GBd gdB|=c2 e dBG
A3:|
|:A=cd e2 e|fed cBA|GAB =c2 =c|d2 d efe|Acd e2 e|fed =cBA|GAB =cB=c|dBG
A3:|

X: 88
T:Leddy From Cavan
M:2/2
L:1/8
C:Ed Reavy
S:The Collected Compositions of Ed Reavy
R:Reel
N:John Leddy and Ed worked in the plumbing business
N:together and became close friends over the years. John was proud of
N:Ed's accomplishments, particularly because both were Cavanmen. His son
N:
N:John Jr. was a promising young fiddler who studied with Ed in the
N:fortie
N:
N:John Sr. played the fiddle a bit himself and had a great love of
N:traditional music.
Z:Joseph Reavy
K:D
DE|:=FEDF EDCE|Dddc defd|[E2c2] cB cAFE|=FEDF EDCE|DE=FE DA,G,A,|FG
AF G2 FG|Addc defd|1=cAGE D2 EG:|2 =cAGE DEFA||d2 fd Adfd|c2 ec Gcec|
d2 [df]d Adfa |gfge fddc|defd Adfd|cdef g2 fg|(3agf (3gfe
A=cBd|1 ^cAGE DEFA:|2 ^cAGE D2 EG:||

X: 89
T:Leo Barry's Reel
R:Reel
C:Emile Benoit
M:C|
L:1/8
Z:Gerry Strong
K:G
gf|:edBd cBAc|BGAG E2 DE|G2 BG dGBG|cBAG A2 gf|edBd cBAc|BGAG E2 DE|G2 B
G ABcA|1dBAB G2 gf:|2dBAB G2G2||
|:Ggga gedB|Ggga gedB|Aaab agfg|agfe d2 ef|gfga gdBG|gfga gdBG|c2 Ac B2
GB|1AcAF G2G2:|2AcAF G2||

X: 90
T:Lexie McAskill's
M:4/4
L:1/8
C:Dr John McAskill
Z:Rachel Marsh,  25/10/1999
K:Em
a | e2 e2 deed | e2 dB GABd | e2 e2 deed | egfd e2 Bd| e2 e2 deed | e2 d
B GABd | e2 e2 deed | egfd e2 ef :||
g2 f2 e2 dB | A2 dB GABd | g2 f2 e2 dB | egfd e2 ef | g2 f2 e2 dB | A2 d
B GABd | g2 f2 e2 dB | egfd e2  ed :||
e2 e2 e2 dB| A3 B GABd | e2 e2 e2 dB | egfd e2 Bd| e2 e2 e2 dB| A3 B GAB
d | e2 e2 e2 dB | egfd e2 eg:||
aeea e2 dB| A2 dB GABd | aeea e2 dB | egfd e2 g2| aeea e2 dB| A2 dB GABd
 | aeea e2 dB egfd e2 e2 :||

X: 91
T:Lindisfarne
M:3/4
L:1/8
C:Matt Seattle
R:waltz
P:Lindisfarne
Z:bil@blueskiesink.com
K:G
D2 \
| "G"G3 ABc | d3 BGD | "Am"E2 c2 A2 | "D"G3 F D2 \
| "G"G3 ABc | d3 BGD | "C"E2 c2 B2 | "D7"A3 ABc |
| "G"d3 BGD | "C"E3 GcB | "Am"A3 GFE | "D"D3 ABc \
| "G"d3 BGD | "Am"E2 c2 A2 | "D"DG3 F2 | "G"G4 ||
|| B2 \
| "D7"A3 BcA | "G"d3 BGD | "Am"E2 c2 A2 | "D"G3 F D2 \
| "D7"A3 BcA | "G"d3 BGD | "C"E2 c2 B2 | "D7"A3 ABc |
| "G"d3 BGD | "C"E3 GcB | "Am"A3 GFE | "D"D3 ABc \
| "G"d3 BGD | "Am"E2 c2 A2 | "D"DG3 F2 | "G"G4 ||
K:G
D2 \
| "G"G3 ABc | d3 BGD | "Am"E2 c2 A2 | "D"G3 F D2 \
| "G"G3 ABc | d3 BGD | "C"E2 c2 B2 | "D7"A3 ABc |
| "G"d3 BGD | "C"E3 GcB | "Am"A3 GFE | "D"D3 ABc \
| "G"d3 BGD | "Am"E2 c2 A2 | "D"DG3 F2 | "G"G4 ||
|| B2 \
| "D7"A3 BcA | "G"d3 BGD | "Am"E2 c2 A2 | "D"G3 F D2 \
| "D7"A3 BcA | "G"d3 BGD | "C"E2 c2 B2 | "D7"A3 ABc |
| "G"d3 BGD | "C"E3 GcB | "Am"A3 GFE | "D"D3 ABc \
| "G"d3 BGD | "Am"E2 c2 A2 | "D"DG3 F2 | "G"G4 ||
K:D
"D"f2 e|"D"dfd "D"AFA|"Bm"d2 B "G"GBd|"A"cec "F#m"ABc|"Bm"dfb "D"a2g|"D"
faf "D"dfa|"G"gab "Em"e2 g|"D"fAf "A"edc|"D"d3:||
"D"f2g|"D"a2 a "D"fed|"A"cde "A"e2 f|"G"gfg "A"ecA|"D"aba "Em"gfe|"D"dfd
"D"AFA|"Bm"d2 B "G"GBd|"F#m"cBA "Em"gfe|"D"d3:||

X: 92
T:London Lasses
M:C|
L:1/8
Q:1/2=100
R:reel
Z:Sean O'Malley, woodenflute amiling list, 7/4/2000
K:G
G3B DG (3Bcd|eaag efg2|G2(3BAG DG (3Bcd|e2dB AGEF|
G3B DG (3Bcd|eaag egg2|bgag (3efg fa|1 gedB AGEF:|2 gedB AGef||
|:g2fg egge|dGG2 BG (3Bcd|g2fg egge|dBGB AEE2|
g2fg egge|dBB2 dega|bgag (3efg fa|1 gedB AGef:|2 gedB AGEF||

X: 93
T: lost slipper, the
M:4/4
L:1/8
C:Bernhart
Z:Bernhart
K:F#min
F2~Fc F2~Fc| BcAc BAFE| FcAc dfed | cdcB cddc| !
F2~Fc F2~Fc| BcAc Bcd2 | f2~fe dcB2 |1 cedc BAFE :|2 cedc
BABc|| !
d2fe dcd2| Bcde fba=g | f2~fe dcB2 | cedc Bcde | !
f2~fe fba=g |fedc BAF2 | Bcfc acfc | dcBA F2Fc :|| !

X: 94
T:Mairedelia
M:2/2
L:1/8
C:Ed Reavy
S:The Collected Compositions of Ed Reavy
R:Reel
N:Mairedelia. Ed's granddaughter, who is carrying on the tradition
N:herself. Maire has won several first place fiddle medals in local
N:and New York area feises.
Z:Joseph Reavy
K:D
|FG|Addc dcAF|FDA,D FGAB|[D=c]Bcd cAGA|d2 fd ^cAGA|dcde (3fga ec|d
cAF GE=CE|DEFG =cBAF|GE=CE D2:||fe|defg abag|e=c (3cBc efge|defg adf
a|gece d2 fg|abag efge|BdcA GE=CE|DEFG dcAF|GE=CE D2:||

X: 95
T:Manus Lunny's Terra Cotta Plower Pop
M:6/8
L:1/8
C:Phil Cunningham
R:Double Jig
N:Also played in D
Z:Robert Greenway
K:G
~D3 DEG|B2d BAG|G2g edB|deg b2a|!
age ~g3|edB deg|age edB|dBG A3:|!
|:~D3 A2B|cBA BGE|~D3 A2F|GEA GEA|!
~D3 A2B|cBA BGE|~G3 GEA|~D3 D3:|!

X: 96
T:Marino Waltz
M:6/8
L:1/8
Q:57
R:Waltz
Z:Gerry Strong
K:G
gd>B F2 B|E2 c D3|CDE FDA|GDB A3|gd>B F2 f|ed>c E2 e|dcA F2 B|1G3-G/2
d/2^c/2d/2e/2f/2:|2G3-G3||
|:DEF GAB|B3 F3|E3 c2 E|G2 F/2E/2 F3|CDE FD>A|GD>d e2 d|cA>F D2
B|1G3-G3:|2G3-G/2 d/2^c/2d/2e/2f/2||

X: 97
T:Mario Tardiff's Reel
C:Emile Benoit
M:C|
L:1/8
Q:120
Z:Gerry Strong
K:G
|:E2 EF GFGA|B2 AG FDDA,|D2 DE FEFG|ABAF BEEB,|E2 EF GFGA|Bcdf edBc|dBAF
 DEFA|GFED E4:|
|:Beef gfed|Bcde dBAF|DEFA GFEF|GBAF BEEA|Beef gfed|Bcde dBAF|DEFA GFEF|
GBAF E4:|

X: 98
T:Mary Kelynak
M:2/4
L:1/16
R:Polka
Z:bil@blueskiesink.com
K:G
GFGB d2cd|A^GAc e2e2|d^cde fgaf|1g2B2 B>A:|2g2B2 G4|!
e^deB g2g2|e^dec a2a2|ABcd e2g2|1efdg G2G:|2efdg G2G2|!

X: 99
T:Matt Molloy's
M:4/4
L:1/8
C:Matt Molloy, I would suppose?
S:Tony McCabe
R:reel
Z:From: "James T. Peeples" <jpeeples@gte.net>
Z:From: "James T. Peeples" <jpeeples@gte.net>
Z:From: "James T. Peeples" <jpeeples@gte.net>
Z:James T Peebles, 12/4/2000
K:ADor
A2eA BAeA | B2gd BAGB | A2eA BAeA | BAGB A3G | A2eA BAeA | Bdgd BAGB | A
2eA BAeA | BAGB A2eg |
aee2 agef | gBB2 gfgb | aee2 aged | BAGA BAAe | aee2 agef | gBB2 gfgb |
afge fded | B2GA BAA2 ||

X: 100
T:Maudabawn Chapel
M:C|
C:Ed Reavy (1898-1988)
R:reel
Z:id:hn-reel-62 : Gary Chapin,  20/6/1999
K:Edor
~G3D E2DB,|G,A,B,D EB,DB,|G,A,B,D GABd|gabg eaaf|
gabg efge|dged B^cde|g2fa gedB|A=cBA GEED:|
|:E2BE dEBE|E2BE AFDF|~E3F GFGB|AF~F2 DF~F2|
EBBA ~B3A|BAGA B^cde|~f3a gfe^c|dBAF GEED:|
"Variations:"
G2FG EGDB,|G,A,B,D EB,DB,|G,A,B,D EGBd|gbag ea~a2|
gbag egfe|dged B^cde|g2fa gedB|A=cBA GEED:|
|:E2BE dEBE|Ed^cB AFDF|~E3F GFGB|AFDF A,DFD|
EBBA B^cdA|BAGA B^cde|~f3a gfe^c|dBAF GEED:|

X: 101
T:Maudabawn Chapel
M:C|
C:Ed Reavy (1898-1988)
R:reel
Z:flute version arr by Henrik Norbeck,  21/6/1999
K:Edor
~G3D ~E2DB|GABd eBdB|GABd ed (3Bcd|ga{c'}bg ea{c'}af|
ga{c'}bg ef{a}ge|dged B^cde|~g2fa gedB|AB{c}BA GE{A}ED:|
|:~E2BE dEBE|{A}Ed^cB {c}AFDF|~E3F {A}GFGB|AF~F2 DF~F2|
EB{c}BA ~B3A|BAGA B^cde|~f3a gfe^c|dB{c}AF {A}GE{A}ED:|
"Variations:"
~g2fg egdB|GABd (3efg dB|GA (3Bcd edBd|ga{c'}ag ea~a2|
gb{c'}ag e2~e2|dged B^cde|gafa gedB|AB{c}BA GE{A}ED:|
|:~E2BE ~E2BE|~E2BE {c}AFDF|EDEF ~G3B|AF~F2 dF{c}AF|
EB{c}BA B^cdA|BAGA B^cde|f2{c'}af gfe^c|dB{c}AF GE{A}ED:|

X: 102
T:McGlinchy's
M:C|
L:1/8
R:reel
Z:From Lunasa (In set with The Floating Crowbar)
Z:Gerry Strong,  28/9/1999
K:Am
|:GA{B}AG AedB|~A3 B ~G2 (3Bcd)|eBdB ~A2 Bd|eaag a3 b|c'abg ae ~e2|~g3 a
gedB|~A3 B G2 Bd|eBdB A2 z2:|
|:agba ge ~e2|aged (3Bcd) ed|BA ~A2 (3Bcd) ed|BA ~A2 ~G4|EA{B}AG AedB|~A
3 B
~G2 (3Bcd)|ea ~a2 gaba|gedB A2 z2:|

X: 103
T:Memory Waltz
M:3/4
L:1/4
C:Dave Panting
R:waltz
Z:Gerry Strong,  18/10/1999
K:G
B/2c/2|:d>e d|d2 c|B>c d/2B/2|G2 D|E2 G|cde|ABc|d>e d|d2 c|B>c d/2B/2|G2
D|EGc|B2 A|1GBc:|2GBd||
|:geB|GBg|fdA|FAf|ecG|EGe|ABc|d>e d|d2 c|B>c d/2B/2|G2 D|EGc|B2
A|1GBd:|2G3||

X: 104
T:Michies Jig
M:6/8
L:1/8
Z:Rachel Marsh
K:Em
~E3 eEd | ~e3 edB | ~A3 AGA | BdA BAd | ~E3 eEd | ~e3 edB | ~A3 AGA |
BdF E3 :||
~E3 FEG | ~E3 FEG | ~D3 EDF | DGD FED | ~E3 FEG | EFG AGA | ~B3 AFD | ~E
3 E3 :||

X: 105
T:Micho Russell's Reel
M:4/4
N:Paul McGrattan's workshop 9/11/99
H:Within A Mile of Dublin
O:Irish
R:Reel
Z:Thomas Keays
K:D
P:A
Addc A2AB | cBcd eddc | Addc A2AB | cAGE EDD2 :|
P:B
d2fd Adfd | (3B/c/d/ef g2fe | d2fd Adfd | eaag edd2 |
d2fd Adfd | (3B/c/d/ef g2fg | afge d2cd | eaag edd2 |]

X: 106
T:Mile to Ride, A
C:Trad
S:Northumbrian Minstrelsy
M:9/8
Z:bil@blueskiesink.com
K:G
dBd g2 g f2 d| g2 B BcB d2 e| dBd g2 g f2 d |ecA ABA c2 e :: dBG G2 cB2
c|\
dBG GAB c2 e | dBB G2 c B2 d | ecA A2B c2 e:|

X: 107
T:Mist on the Mountain
T:Mist Covered Mountain, The
M:6/8
C:Junior Crehan
S:Mike Rafferty, Maire Breathneach
R:jig
D:De Dannan: Mist Covered Mountain
D:Martin Hayes
D:Secret of Roan Innis soundtrack (Mark Roberts flute)
Z:id:hn-jig-42
Z:lesl
K:Ador
A2G|:EA~A ABd|ecA AGE|~G3 GAB|dBA GED|EA~A ABd|
eca age|efg dBG|BAG A2G|
EA~A ABd|ecA AGE|~G3 GAB|dBA GED|EA~A ABd|
eca age|efg dBG|BAG A2a|
|1 age a2b|age edB|AGE G2A|BAB deg|
age a2b|age edB|AGE G2A|BAG A3|
age a2b|age edB|AGE G2A|BAB GED|
EDE G2A|BAG ABd|efg dBG|BAG A2G:|
|2 age a2b|age edB|AGE G2A|BAB ged|
age a2b|age edB|AGE G2A|BAG A3|
age a2b|age edB|AGE G2A|BAB GED|
EDE G2A|BAG ABd|efg dBG|BAG A3||

X: 108
T:Mowes Yseldyryow
M:3/4
L:1/8
R:waltz
Z:bil@blueskiesink.com
K:G
D2|G3 A Bc|d2 G2 d2|B2G2B2|A2F2D2|G2 A Bc|d2 B2 dc|B2G2A2|G4 d|
e2c2e2|d2B2d2|BA GA BG|A2F2D2|G2 A Bc|d2G2 dc|B2G2A2|G6||

X: 109
T:Munera de Casu
M:6/8
L:1/8
S:Llan de Cubel
Z:Rachel Marsh
K:G
GBc | ded cBc | dcB GAB | ded cBA | ABG GBc | ded cBc |
dcB GAB | ded cBA | G3 :|| gfe | dBc dce | dcB GAB | ded cBc | d2 d gfe
|
dBc dce | dcB GAB | ded cBA  | G3 :|| GAB | Bcc cBc | dcB GAB | Bcc cBA
 | B2 G GAB | cdc cBc | d2 B G2 B | ded cBA | G3 :||

X: 110
T:Myghtern Sweden
M:2/4
L:1/8
R:Polka
Z:bil@blueskiesink.com
K:G
AB/2A/2 FG/2A/2|BB A2|AB/2c/2 de|fe d2:|!
fg/2f/2 ed/2/c/2|de/2d/2 cB/2A/2|B/2c/2d/2e/2 c/2d/2/e/2f/2|d/2e/2/f/2g/
2 e2:|

X: 111
T:Never Was Piping So Gay
M:2/2
L:1/8
C:Ed Reavy
S:The Collected Compositions of Ed Reavy
R:reel
N:The concluding line of O'Driscoll's refrain in Yeats' poem, "The Host
N:of
N:he air".
N:O'Driscoll dreamed that his wife Bridget was taken by the Host as he
N:was
N:laying harmlessly at
N:cards with "the merry old men." When O'Driscoll awoke from his dream,
N:all that remained of the dream was the strange unearthly sound of a
N:pipe
N:piping away in the distant air- "And never was piping so sad, And
N:never was piping so gay."
Z:Joseph Reavy
K:G
DB,||:G, B,D GBdB|cafd cAFA|G2 BG DGBG|AF (3FFF dFcF|G2 BG
DGB,D|Aafd ^cdef|gfgd cBcA
|1FGAc BGDB,:|2FGAc BG G2||gfgd  ^cdBG|FGBd cAFA|GB (3cBA BcdB|cafd ^cde
f|gfgd ^cdBG|FGBd
cAFA|BG (3GGG AF (3FFF|BdcA G4||gfgd ^cdBG|FGBd cAFA|
GB (3cBA BcdB|cafd ^cdef|gbaf gd^cd|BGFG cAFA|BG (3FFF AF (3FFF|BdcA G2|
|

X: 112
T:New York Jig, The
M:6/8
L:1/8
S:John Skelton, One At A Time
R:Jig
N:Skelton remembers the name of this tune only as The New York Jig
D:John Skelton, One At A Time (PAN 146CD)
Z:Chris Corrigan
Z:, 4/4/2000
K:D
dAG FAE|DFA dcd|eAA GAA|EAA edc
|dAG FAE|DFA dcd|eAA GAA|1 edc d3:|2 edc dAG||
F2 A FAF|G2 B BAG|FGA dAF|EBA BAG|
F2 A FAF|G2 B BAG|AFA dAF|FEc d3:|

X: 113
T:Nonesuch
M:C|
L:1/8
Q:120
N:Almost the same as "A la Mode de France"
H:Nonesuch was built in 1538 by Henry VIII over the demolished property
H:of the village of Cuddington, near Epsom Wells in Sussex, to be the
H:most ostentatious hunting lodge ever made.  At the very end of her
H:life, Elizabeth I visited Nonesuch, as a guest of Lord Lumley,
H:son-in-law of the Earl of Arundel, and it was reported that "there is
H:much dancing of country dances in the privy chamber at Nonesuch,
H:the Queen's majesty, who is exceedingly pleased therewith".
Z:Playford.abc
K:DDor
a|afga|f e/2f/2 da|afga|f2 fa|afga|f e/2f/2 da|afga|f2 de||
ecde|f e/2f/2 de|ecde|f2 de|ecde|f e/2f/2 de|ecde|f2 d||

X: 114
T:NO NAME from Joanie Madden
M:4/4
L:1/8
S:Joanie Madden
R:REEL
N:this is the tune, as notated by Joanie, without her ornamentation
H:taught by Joanie Madden in the whistle workshop at the 1999 CCE
H:Convention in Parsippany, New Jersey, USA on April 10, 1999
Z:Tom Madden from notation handed out by Joanie Madden
K:G
BGGF GBAF|D2 (3FED ADFE| DGGF GABc|1 d2 e^c d2= cA:|2 d2e^c d2 B=c||
dggf g2 ag|f2de fdcA|dggf gbag|fgaf g3f|defg a3g|f2e defg|a2ge (3fed e^c
|d2 e^c d2= cA:||

X: 115
T:NO NAME from Joanie Madden with ornaments
M:4/4
L:1/8
S:Joanie Madden
R:REEL
N:this is the tune, as played and taught by Joanie
H:taught by Joanie Madden in the whistle workshop at the 1999 CCE
H:Convention in Parsippany, New Jersey, USA on April 10, 1999
Z:Tom Madden from his notes on  notation handed out by Joanie Madden
K:G
{c}BG{A}GF {A}G{c}B.A.F|D2 (3{G}FED {B}AD{G}FE| DG{A}GF {A}G.A.{c}B.c|1
.d2 .e^c .d2= cA:|2 .d2.e^c .d2 B=c||
dg{a}gf {a}g2 {b}ag|~f2de {g}fdcA|dg{a}gf {a}g{c'}bag|fg{b}af {a}g3f|.
d.e.f.(g a)3g|!~f2e .d.e.f.(g|a)2ge (3fed e^c|.d2 .e^.c .d2= .c.A:||

X: 116
T:Noughties Reel
M:4/4
L:1/8
C:Chas Blacker
R:Reel
Z:Chas Blacker
K:Bm
B2 fB dfBd|~f3g efdB|~A3B cdec|deaf efdA|B2 fB dfBd|~f3g efde|feaf eafd|
efdA B2 dc:||BfgB fgfB|AefA efeA|GdeG dedG|F2cd efdA|BfgB AefA|GdeG Fcd
e|feaf eafd|efdA B2dc:||

X: 117
T:O can ye labor lea, young man
S:SMM #394, 1792
Q:120
L:1/8
M:C|
Z:Bruce Olson
K:F
C|F/ F3/2 F A G3/2 F/ G3/2 A/|F/ F3/2 F3/2 A/d3f|\
F3/2 F/ F A G3/2 F/ G3/2 A/|F3/2 D/ DCF3||\
d|c/ A3/2 A3/2 F/ G3/2 F/ G3/2 A/|(c/A3/2) A/ c3/2 d3f|\
c3/2 A/ A3/2 F/ G3/2 F/ G3/2 A/|F/ D3/2 D3/2 C/{C/}F3||\
"Chorus"C|F/ F3/2 F A G3/2 F/ G3/2 A/|F/ F3/2 F3/2  A/ d2 f|\
F3/2 F/ F A G3/2 F/ G3/2 A/|F/ D DC F3|]

X: 118
T:O'Connell's Farewell to Dublin
M:4/4
L:1/8
S:John Skelton: One At a Time
R:Reel
D:John Skelton: One at A Time (PAN 146CD)
H:Setting adopted from CRE#2
Z:Chris Corrigan
K:ADor
|:AcBG A2 (3Bcd|eaaf ge d2|G2 GF GEDE|G2 (3BAG AGEG|
AcBG A2 (3Bcd|eaaf gedB|(3ABd af gfed|gedB A3 B:|
|:c2 cB cdef|g2 gf ge d2|dBGB d2 de|dBGB d2 dB|
c2 cB cdef|g2 gf gfed|(3ABd af gfed|gedB A3 B:|
|:eaag a3 b|c'2 ba agef|gbaf gfed|(3gab af gfed|
eaag a3 b|c'2 ba aged|(3ABd af gfed|gedB A3 B:|
|:ceAB ceAc|B2 GB dB G2|ceAB ce A2|(3Bcd af gfed|
ceAB ceAc|B2 GB dB G2|(3ABd af gfed|gedB A3 B:|

X: 119
T:Off to California
M:4/4
L:1/4
R:hornpipe
N:Boston session
Z:John Harvey
K:G
(3DEF|GFGBAGED|GBdg e2 (3def|gfgd edBG|ABAG E2 (3DEF|GFGB AGED|GBdg e2 (
3def|gfgd edBG|(3ABA GF G2:|
d|gfeg fedf|edef edB2 |(3def gd edBG|ABAG E2 (3DEF|GFGB AGED|GBdg e2 (3d
ef|gfgd edBG|(3ABA GF G3:|

X: 120
T:On the Way to New Orleans
R:Reel
C:Emile Benoit
M:C|
L:1/8
Z:Gerry Strong
K:D
fg|:fd ~d2 edcA|FAFD G2 AG|FAdf gecA|dcde fddg|fd ~d2 edcA|FAFD G2 AG|FA
df gecA|dcde d2 fg:|
|:fd ~d2 adfd|e2 ge bege|fd ~d2 adfd|ecAc e2 ag|fd ~d2 adfd|e2 ge bege|f
d ~d2 adfd|1ecAc d2 fg:|2ecAc d2||

X: 121
T:On the Way to Norway
R:Reel
C:Emile Benoit
M:C|
L:1/8
Z:Gerry Strong
K:G
|:DGGA B2 AG|B2 AG BG ~G2|DGGA B2 AG|DEDC B,D G,2|DGGA B2 AG|B2 AG BG ~G
2|Bdde dBAG|AGBA AG ~G2:|
|:GABc dBGB|dgga bgga|bgeg dgdB|A2 AB AGED|GABc dBGB|dgga bgga|bgeg dgdB
|A2 AB G4:|

X: 122
T:Paddy Fahy's
M:4/4
L:1/8
Q:120
C:Paddy Fahy
R:Hornpipe
Z:Andrew Pickering, 21/4/2000
K:G
GBDG BAGF|(3EAc EG cedc|(3Bcd gd ^cd Bd|cBAG (3FED (3cBA|
GBDG B3G|(3EAc EG cedc|(3Bcd gd ^cd FG|1AGGF G2 BA:|2AGGF G2 Bc:|
|:dggf gdBd|caag f2ab|gd (3Bcd ecAG|(3FGA d^c d3=c|
(3Bcd Bd cBcA|Bdfa gedc|(3Bcd gd ^cd FG|AGGF G2 AB:|

X: 123
T:Paddy Fahy's (fiddle version)
M:4/4
L:1/8
Q:120
R:Hornpipe
Z:Andrew Pickering, 21/4/2000
K:G
G,B,DG BAGF|(3EAc EG cedc|(3Bcd gd ^cd Bd|cBAG (3FED (3CB,A,|
G,B,DG B3G|(3EAc EG cedc|(3Bcd gd ^cd FG|1AGGF G2 BA:|2AGGF G2 Bc:|
|:dggf gdBd|caag f2ab|gd (3Bcd ecAG|(3FGA d^c d3=c|
(3Bcd Bd cBcA|Bdfa gedc|(3Bcd gd ^cd FG|AGGF G2 AB:|

X: 124
T:Paddy's Polka  No.1
M:2/4
L:1/16
C:Trad
S:Josephine Marsh
R:Polka
N:Flute/whistle players play bars 3,4,7 & 8 an octave up
Z:Richard Moon
K:Dm
A2D2 E2D2|A2D2 E2D2|C3D E2G2|C2D2 E2G2|A2D2 E2D2|A2D2 E2D2|C3E G2C2|E2D2
  D4:||!
A2d2 d2cd|e2d2 c2G2|A2d2 d2cd|e2d2 c4|A2d2 d2cd|e2d2 c2G2|A2G2 c2C2|E2D2
  D4:||

X: 125
T:Paddy's Polka  No.2
M:2/4
L:1/16
C:Trad
S:Josephine Marsh
R:Polka
Z:Emma Millman
K:G
D4 G3A|B2d2 B2dB|A2G2 B2A2|A2G2 E2G2|
D4 G3A|B2d2 B2dB|A2G2 BdBA|G8:||!
g2bg e2ge|d2B2 d4|G3A B2G2|A2G2 E2G2|
D4 G3A|B2d2 B2dB|A2G2 BdBA|G8:||

X: 126
T:Parting of Friends, The
M:3/4
L:1/8
Q:1/4=80
R:slow air
Z:Seanchas
K:Edor
B2 d | e3f/e/ de/f/ | g3g/ fzf/ | e2f/e/ de/f/ g2a/b/ | a/f3 e2f/e/ dB/|
!
e2 e2 e2f/e/ dB/ | e2e B2d | f2g {fgfgfg}f2e2 | e6 ||!
B2 B | e4{a}ef/e/ dB/A/ | Bf3 e2f/e/ d>A | BE4 E/F/ |!
G4A//G//F// G//A//B//c// | d4c/d/ BB/A/ |!
F3 F//E//D// E3 F//E//D// | EF2 FE/D/ E//F//E//D//E//F//D// | E6 ||!

X: 127
T:Parting of Friends, The (Henrik Norbeck ABC)
M:4/4
L:1/8
Q:1/4=80
R:slow air
Z:Henrik Norbeck
K:Edor
B2 d | e3f/e/ de/f/ | g3g/ fzf/ | e2f/e/ de/f/ g2a/b/ | a/f3 e2f/e/ dB/
|
e2 e2 e2f/e/ dB/ | e2e B2d | f2g {fgfgfg}f2e2 | e8 ||
B2 B | e4{a}ef/e/ dB/A/ | Bf3 e2f/e/ d>A | BE4 E/F/ | G4A//G//F//
G//A//B//c// |
d4c/d/ BB/A/ | F3 F//E//D// E3 F//E//D// | EF2 FE/D/
E//F//E//D//E//F//D// | E8 ||

X: 128
T:Parting of Friends, The (ns abc)
T:Sgaruint Na gCompanach
T:Conchubhar Mhac Coireibhe
M:4/4
L:1/8
Q:1/4=80
R:slow air
Z:norman sams
K:Edor
B2 d | e3 {f/ede/f/} | gzg/ fzf/ | e2 {f/e/d/e/f/g/} b2 {c'b} | a/f3z//
e2e2{f/e/d/B/}e4ze4  e2 e2{f/ed/B/}| e4e2 e2B4d |{fg}f4e4 | e8||
B2 B3||{d/} e4e4 {f/e/d/B/A/}| Be3 |  e2f/e/ (3dBA |{B/e/}f4 e2{e/g/} e2
d2B2| E4  E2 F2| G4 {B/A/G}F2 G4 A2 B2 c2 |  d4z/ d2 c2 d2 | {A//}B4 {c/
B/}
A2|F4{G/F/} |E2D2E4{F/E/}D4E2F2 z |E4F2{G/F/}E2D2 |
D4E2{F/E/}D2E2{FE}|E8||

X: 129
T:Pasucais
M:6/8
L:1/8
S:Llan de Cubel
Z:Rachel Marsh
K:G
GBd | gfe dBc | cdd ded | BAG GBd | gfe dBc | d2 d ded | BAG Bcd | A2 A
FAd |
c2 B BcB | AFG GAA |  A2 G Bcd | AFA FAd | c2 B BcB | AFG GAA | A2 G||

X: 130
T:Pasucais d'uvieu
M:6/8
L:1/8
S:Llan de Cubel
Z:Rachel Marsh
K:D
faf | d2 f fef | g2 e ege | cBA ede | f2 d faf | d2 f fef | g2 e ege | c
BA efe |1 d3 :||2 F2 G ||
ABc dcB | A3 dcB | ABA GFG | B2 A AFG | ABc dcB | A3 dcB | ABA GFE |1 D3
DFG :||2 D3 ||

X: 131
T:Pencarrow
M:3/4
L:1/4
R:waltz?
Z:bil@blueskiesink.com
K:Bb
C/2 C/2|C G G|G A B|A F F|F2 G|E E C|D E F|G C C|
B,2 G/2A/2|B c B|A G A|B A G|F2 C|G G G|B A G|F D E|
D C B,|G G G |G A B|A G F|F2 G|E D C|D E F|G c =B|c3||

X: 132
T:Plethen Newlyn
M:4/4
L:1/8
R:Reel
Z:bil@blueskiesink.com
K:C
D2|A2 A4 (AB)|c2 c4 (cd)|e2 e4 (dc)|B6 z|!
d2 d4 (cB)|c2 A4 (BA)|^G2 E4 (^FG)|A4 z:!|
A|f2 f4 (ed)|e2 e4 (dc)|B2 B4 (cd)|(e4 e2) z e|!
f2 f4 (ed)|e2 A4 (BA)|^G2 E4 (^FG)|A3 z:|!
E2|A4 A2 (AB)|c4 c2 (cd)|e4 e2 (dc)|B3 z|!
d4 d2 (cB)|c4 A2 (BA)|^G4 E2 (^FG)|A4 z:|!
A|f4 f2 (ed)|e4 e2 (dc)|B4 B2 (cd)|e4 e2 z e|!
f4 f2 (ed)|e4 A2 (BA)|^G4 E2 (^FG)|A6 z:|!

X: 133
T:Plethen Newlyn
M:4/4
L:1/8
Z:bil@blueskiesink.com
K:C
D2|A2 A4 (AB)|c2 c4 (cd)|e2 e4 (dc)|B6 z|
d2 d4 (cb)|c2 A4 )BA)|^G2 E4 (^FG)|A4 z:|
A|f2 f4 (ed)|e2 e4 (dc)|B2 B4 (cd)|(e4e2)z e|
f2 f4 (ed)|e2 A4 (BA)|^g2 E4 (^FG)|A6 z:|
D|A4 A2 (AB)|C4 C2 (cd)|e4 e2 (dc)|B6 z|
d4 d2 (cB)|c4 A2 (BA)|^G4 E2 (FG)|A4 z:|
A|f4 f2 (ed)|e4 e2 (dc)|B4 B2 (cd)|(e4 e2) z e|
f4 f2 (ed)|E4 A2 (bA)|^G4 E2 (^FG)|A6 :|

X: 134
T:Plethen Peswar Luf
M:4/4
L:1/8
R:Reel
Z:bil@blueskiesink.com
K:D
D2 FA dA F2|D2 GB dB G2|D2 FA dA Ad|AdcB AGFE|
D2 FA dA F2|D2 FB dA F|D2 GB dA G|edcB AGFE|1 D2 d2 d4|2 D2 d2 d2 (3ABc:
|
dA FA dA FA|dB GB dB GB|dA FA dA FA|cA EA cA EA|
dA FA dA FA|dB GB dB GB|edcB AGFE|1 D2 d2 d2 (3ABc|2 D2 d2 d4||

X: 135
T:Priest in his Boots
M:6/8
C:CRE #1
R:Jig
O:Irish
Z:Paul McGrattan's workshop 9/11/99
Z:Thomas Keays
K:D
P:A
efe e2g | fdf ecA |1 d3 fdd  | eAA Bcd :|2 d3 faf | gec d3 |]
P:B
a2f g2e | f2d ecA |1 d3 fdd | eAA Bcd :|2 d3 faf | gec d3 |]

X: 136
T:Primrose Lass, the
M:C|
S:Mike Rafferty
R:reel
O:Ireland
N:this was the first tune Mike played me on his pipes.
D:Paul McGrattan: The Frost is All Over.
Z:Lesl Harker and id:hn-reel-104
K:G
B2BA GAGE|DEGA BA~A2|B2BA GAGE|DEGA BGGA|
B2BA GAGE|DEGA BA~A2|BG~G2 AE~E2|DEGA BGG2:||
|:(3Bcd gd edgd|(3Bcd Gd eA~A2|(3Bcd gd edgd|B~BA^c BG~G2|
(3Bcd gd edgd|(3Bcd Gd eA~A2|(3Bcd ed ~g3e|1dcAc BG~G2:|2dcAc
BGGF|G4||

X: 137
T:Pybcorn: Boscastle Breakdown
M:4/4
L:1/8
R:Reel
Z:bil@blueskiesink.com
K:G
G2 B>c d2 B2|c>d e>f g4|G2 B>c d2 B2|A2 A2 A4|
G2 B>c d2 B2|c>d e>f g4|d>g f>e d>c B>A|G2 G2 G4:|
g>d B>d g>d B>d|g>e B>e g>e B>e|g>d B>d g>d B>d|A2 A2 A4|
g>d B>d g>d B>d|g>e B>e g>e B>e|d>g f>e d>c B>A|G2 G2 G4:|

X: 138
T:Pybcorn: Can Scoswas
M:2/4
L:1/8
R:polka
Z:bil@blueskiesink.com
K:G
G>B d>B|A>F D>D|E>G B>G|F>D B,>B,|!
E>G B>e|d>B G>A|B>c A>B|G3 D:|!
d>B G>B|A2 A>A|B>G E>G|F3 F|!
E>G B>e|d>B B>A|B>E E>D|E3 z:|!

X: 139
T:Red Tom of the Hills
M:C
L:1/8
C:Ed Reavy
S:The Collected Compositions of Ed Reavy
R:Reel
N:
N:Tom came from somewhere in the Monaghan
N:Hills-no one knew exactly where. He loved to ceili and "pack it in"
N:Tom had a "shakey" hand that could have been a trial to most. But you
N:would never know it from the way Tom could slap large cuts of butter
N:on his bread at tea time. Mom Reavy said Tom's hand was not to be
N:pitied
N:"for it always shook deeper into the butter."
Z:Joseph Reavy
K:G
|GF|DG (3GFG DE =FD|GABc defa|gfdc (3Bcd BG|(3ABc AF DE=FD
 | G2 dG c=FA^F|G(ABc) defa|gfdc B2 (3dcB|cAFA G2:||Bd|g2
bg afbg|(3gfg bg BGGe|=f a^f gfaf|(3fef af dcBc|dg (3gfg bg
(3gfg|BGBd gdBd|=fefa g^fga|fdcA G2:||

X: 140
T:Redhaired Lass, The
M:C|
R:reel
H:Also played in A, #576
Z:id:hn-reel-102
K:G
DGGF G2BG|~G2BG AGEG|DGGF GABd|1 gedB cABG:|2 gedB cABc||
d2gd edgd|~d2gd cABc|d2gd edef|gedB cABc|
d2gd edgd|~d2gd BGAB|~c3A ~B3A|GABd e2dB||
"Variations:"
DGGF G2BG|AGBG AGEG|DG~G2 BGBd|gedB cBAG|
DGGF GABG|AGBG AE~E2|DG~G2 BGBd|gedB cABc||
d2gd edgd|~d2gd cABc|d2gf gdef|gded cABc|
d2gd edgd|~d2gd BGAB|~c3A ~B3A|GABd gedc||
BGGF G2BG|G2BG AGEG|

X: 141
T:Reel de Montreal
M:4/4
L:1/4
O:French Canadian
Z:bil@blueskiesink.com
K:G
|: "G"gf/2e/2 d/2c/2B/2A/2 | G/2B/2D/2G/2 BA/2G/2 | "D"F/2A/2D/2F/2
A/2c/2B/2A/2 |  "G"G/2B/2D/2G/2 B/d/e/2f/2 |
| "G"gf/2e/2 d/2c/2B/2A/2 | "G"G/2B/2D/2G/2 BA/2G/2 | "D7"F/2G/2A/2B/2
c/2d/2e/2f/2 |  "G"gg g2 :|  [K:D]
|: "D"AF/2A/2 dA/2d/2 | fd/2f/2 aa/2b/2 | "A7"ag eg | "D"ba fd |
| "D"AF/2A/2 dA/2d/2 | fd/2f/2 aa/2b/2 | "A7"ag ec | "D"d2- "(D7)"d2 :|

X: 142
T:Return of Spring, The
M:2/4
L:1/8
R:polka
D:Joe McHugh & Barry Carroll: The Long Finger
Z:id:hn-polka-68
K:G
d>e dB|G2 GD|GB/d/ ed|c2 cB|cd cA|F2 F2|d (3B/^c/d/ ed|B2 Bc|
d>e dB|G2 GD|GB/d/ ed|c2 cB|Af f/e/f|Ae e/d/e|dB cA|G2 Gd||
|:g>g ge|f>f fd|ed Bc|d2 dB|G (3B/^c/d/ ed|1 A2 A2|d (3B/^c/d/ ed|
B2 Bd:|2 A>A Ag|fd ef|g2 ge||
|:dd g>f|ee a>g|fd ef|ed Bc|dd g>f|ee a>g|fd ef|g2 ge:|

X: 143
T:Richard Dwyer's
M:4/4
L:1/8
R:Reel
Z:Chris Corrigan
K:ADor
|:A2 EA cdec|dBGB AEGF|EAcA Bdgf|eaag abag|
e=fed cA A2|g2 dc BdcB|AEcE dEcd|ecBG EA A2:|
|:a2 ea c'aea| g2 dg bgdg|aged cded|(3cBA BG EA A2|
a2 ea c'aea|gage dBGB|ABcd eaaf|gedg eA A2:|

X: 144
T:Roger Simmons' Breakdown
R:Reel
C:Emile Benoit
M:C|
L:1/8
Z:Gerry Strong
K:C
DE|:FEFG AGFG|Adcd edcd|eage dfed|cAGE FDDE|FEFG AGFG|Adcd edcd|eage dfe
d|1cAGE D2 DE:|2cAGE D2 A2|
K:D
|:defg afdf|afdf a2 gf|efga bgeg|bgeg b2 ge|defg afdf|afdf a2 ga|bgaf gf
ed |1BAGE D2 A2:|BAGE D4||

X: 145
T:Ron Hynes' Reel
R:reel
C:Emile Benoit
M:C|
L:1/8
Q:120
Z:Gerry Strong
K:D
fg|:afdf afdf|bgdg bgdf|afdf afdf|gfed e2 fg|afdf afdf|bgdg bgdf|afdf af
df|1gece d2 fg:|2gece|
|:ddAd fedc|BGBd gfed|cAce aecA|dcde fdAF|D2 Ad fedc|BGBd gfed|cAce a2a2
|1bgec dcde:|2bgec d4||

X: 146
T:Rose of Antrim
M:2/2
L:1/8
R:Reel
Z:Rob Greenway
K:D
de|fd~d2 edBd|Ad~d2 Ad~d2|fd~d2 edBd|Adgf efde|!
fd~d2 edBd|Ad~d2 Addg|fa~a2 afeg|fedB A2:|!
|:(3Bcd|~e3f edBd|e2df efgf|~e3f edBd|Addc defd|!
~e3f edBd|e2df efge|fa~a2 afeg|fedB A2:||!

X: 147
T:Rosie Finn's
M:6/8
L:1/8
R:Jig
O:Ireland
Z:John Harvey
K:D
D2F A2d|f2d A2F|GFE edc|dcB AFE|\
D2F A2d|f2d A2F|GFE edc|d3 d2::A|\
d2f g2f|e2B B2d|c2e efd|c2A ABc|\
d2f g2f|e2B B2d|cec ABc|d3 d2:|

X: 148
T:Rosie Finn's
M:6/8
L:1/8
R:Jig
O:Ireland
Z:Seanchas
K:D
D2F A2d|f2d A2F|GFE edc|dcB AFE|\
D2F A2d|f2d A2F|GFE edc|d3 d2::A|\
d2f g2f|e2B B2d|c2e efd|c2A ABc|\
d2f g2f|e2B B2d|cec ABc|d3 d2:|

X: 149
T:Rothbury Hills
M:4/4
L:1/8
Q:1/4=48
Z:bil@blueskiesink.com
K:G % transposed from F
% Time signature=3/4  MIDI-clocks/click=24  32nd-notes/24-MIDI-clocks=8
V:1
%fl
%%MIDI program 4 73
z8|dg>fg d>B GA-|A/2B/2A F2 DG2B/2>c/2|d2 gf>af d3/2z/2|
Bc3/2e/2c B3/2A/2 GE-|E/2c/2B A2 B/2>c/2d3/2B/2G|A2
d/2-[d/2F/2]G4-G/2z/2|de>ce g>f ed-|
d/2D/2G B2 d/2>^c/2c>Bc|D2 E/2>F/2G2B/2-[c/2B/2] d3/2z/2|dg>fg d3/2B/2
GA-|A/2B/2A F2 DE3/2c/2A|
d3/2c/2 AG4-G/2z/2|dg>fg d>B GA-|A/2B/2A F2 DG2B/2>c/2|d2 gf>af d3/2z/2|
Bc3/2e/2c B>A GE-|E/2c/2B A2 B/2>c/2d>BG|A2 d/2F/2G4-G/2z/2|de>ce g>f ed
-|
d/2D/2G B2 d/2>^c/2c3/2B/2c|D2 E/2>F/2G2B/2>c/2 d3/2z/2|dg>fg d3/2B/2
GA-|A/2B/2A F2 DE>cA|
d>f ag4-g-|g2
V:2
%oboe
%%MIDI program 5 68
z8|d/2c<BA/2B B>G Bc-|cc d2 cB DG/2>A/2|BG Bc Ac BA|
G/2F/2E2F G>A Bc-|c(3e2f2e2d2B|cg f/2e/2d2c B3/2z/2|(3B2c2c2 e3/2d/2 cB-
|
B/2z/2B G>A BA3/2G/2A|d2 cB2G/2>A/2 B3/2z/2|cB3/2A/2B B>G Bc-|cc d3/2z/2
dc2E|
FA cB4z|d/2c<BA/2B B>G Bc-|cc d2 cB DG/2>A/2|BG Bc Ac BA|
G/2F/2E2F G>A Bc-|c(3e2f2e2d2B|cg f/2e/2d2c B3/2z/2|Bc2c e3/2d/2 cB-|
B/2z/2B G>A BA3/2G/2A|d2 cB2G/2-[A/2G/2] B3/2z/2|cB>AB B>G Bc-|cc d2 dc2
E|
FA c/2z/2c>dc2B-|B2- B/2
V:3
%cl
%%MIDI program 6 71
z8|B/2A/2G d/2c/2d GD GE|AG A>B cd2e/2>f/2|g2 dd cD GF|
E/2D/2G2A G>F EA|EG AD/2z/2 G/2>A/2B GD|F/2A/2c/2e/2 d/2c/2B2A
G3/2z/2|G/2z/2G E/2G/2A/2B/2 cA DG-|
GG D>F GE3/2D/2E|Fc AG Dd g3/2z/2|fd>cd GD GE|AG A3/2G/2 FA gA/2z/2|
AF AG3/2D/2d G3/2z/2|B/2A/2G d/2c/2d GD GE|AG A>B cd2e/2>f/2|g2 d/2z/2d
cD
GF|
E/2D/2G2A G3/2F/2 EA|EG AD/2z/2 G/2-[A/2G/2]B GD|F/2A/2c/2e/2 d/2c/2B2A
G3/2z/2|G/2z/2G E/2G/2A/2B/2 cA DG-|
GG D>F GE>DE|Fc AG Dd g3/2z/2|fd3/2c/2d GD GE|AG A3/2G/2 FA gG|
AF DE2-[A/2-E/2]A3/2G-|G2- G/2
V:4
%drone
%%MIDI program 7 48
z3[D4-G,4-][D-G,-]|[D8-G,8-]|[D8-G,8-]|[D8-G,8-]|
[D8-G,8-]|[D8-G,8-]|[D8-G,8-]|[D8-G,8-]|
[D8-G,8-]|[D8-G,8-]|[D8-G,8-]|[D8-G,8-]|
[D8-G,8-]|[D8-G,8-]|[D8-G,8-]|[D8-G,8-]|
[D8-G,8-]|[D8-G,8-]|[D8-G,8-]|[D8-G,8-]|
[D8-G,8-]|[D8-G,8-]|[D8-G,8-]|[D8-G,8-]|
[D8-G,8-]|[D4-G,4-] [D3/2G,3/2]
%vol
%pan
%tempo

X: 150
T:Rudolph's Fancy
M:4/4
L:1/8
C:Santa Claus
S:The Lapland Sessions
Z:Chas Blacker
K:G
dedB GBdg|~e2d2 GABc|deBe dBdg|fAeA d2AB|cdcB Adfd|~e2d2 agfe|1 ~d3e
dAeA|~B3A GABc:||2 ~d3e dfaf|~g3a gfed|]~e3f gage|dedB dBAG|c2de dBcA|~B
3A
~G3B|A2AB ^cBcd|efgf e2fg|afge fde2|dBcB A2Bc|dedB GBdg|~e2d2  GABc|deBe
dBdg|fAeA d2AB|cdcB Adfd|~e2d2 agfe|~d3e dfaf|~g3a g4||

X: 151
T:Sean Reid's
M:4/4
L:1/8
Z:Rachel Marsh
K:G
DG ~G2 BG ~G2| cA ~A2 dcAF | DG ~G2 ~B3 d | cAdc AGGF |
DG ~G2 BG ~G2 | cA ~A2 dBdf | ~g3 a gfde | fdcA AG G2 :||
~g3 a gfde | ~f3 g fdcA | dg ~g2 gfde | fdcA AG G2 |
~g3 a gfde | ~f3 g fdcA | dg ~g2 b2 ag | fdcA AG G2 :||

X: 152
T:Shirley's Reel
T:Young Scotty
M:6/8
L:1/8
C:Charlie Sherritt
S:Will Atkinson
R:Jig
B:`gfe`edc BAGBAG
Z:Alistair Anderson
Z:Chas Blacker
Z:Alistair Anderson
Z:Chas Blacker
K:G
ed |c2 Bc BA A2| Acea fe e2| faaf ecce|afeA  cBBe|A2 Ac BA A2|Acea fe e2
|faaf eccA|BEGB A2:||cd|e2 ef eAce|dfaf eccd|e2 ef eccB|Adcd B2 cd|e2 ef
 eAce|dfaf ecce|d2 fd ceec|BEGB A2:||
D|G2G G2B|AFD DEF|G2B d2B|def g2f|e2c cde|d2B G2A/2B/2|c2B A2G|GFE DEF|G
2G G2B|AFD DEF|G2B d2B|def g2f|e2c gfe|edc BAG|FAF DEF|G3 G2||A|Bee e2f|
g3 g2e|f2d agf|e3 e2d|Add d2e|f3 f2g|a2A gfe|ded cBA|G2G G2B|AFD DEF|G2B
 d2B|def g2f|e2c gfe|edc BAG|FAF DEF|G3 G2||

X: 153
T:Should auld acquaintnce be forgot
S:Thompson, 1799, via Dick's 'Songs of R. B.'
Q:120
L:1/8
M:2/4
Z:Bruce Olson
K:F
C|F3/2 F/ F A|G7/4 F/4 Gz/ A/|F/ F3/2 A c|d3f|\
c3/2 A/ A F|G3/2 F/ G/ z/ A/|F3/2 D/ (DC)|F3||\
"Chorus"f/|c/A3/2 (A3/2F/)|G3/2 F/ Gz/A/|(c/A3/2) (A3/2c/)|\
d3z/ f/|c A A F|G3/2 F/ G z/A/|(F/D3/2) (D3/2C/)|F3|]

X: 154
T:Sir John Fenwick's the Flower amang them All
M:3/4
C:Trad
S:Northumbrian Minstrelsy
Z:bil@blueskiesink.com
K:G
G3 ABc| d2 e2 g2 |d2 e2 g2 |edcBAG | A3 Bcd| e2 e2 g2 | e2 e2 g2 | ~e4 d
2|
G3 ABc|\
d2 e2 g2 | d2 e2 g2 | edcBAG| c2 dcBA | B2 cBAG| A2 B2 d2| ~e4 d2 ::\
g2 G2 B2|g2 G2 B2|g2 G2 g2|edcBAG| a2 A2 B2| a2 A2 B2| a2 A2 a2 |~e4\
d2| g2 G2 B2|g2 G2 B2|g2 G2 g2| edcBAG | c2 dcBA| B2 cBAG|A2\
B2 d2 |~e4 d2:|

X: 155
T:Sir Sidney Smith
M:4/4
L:1/4
Z:bil@blueskiesink.com
K:G
P:A
B/2c/2|"G"dd d"b"d|"c"e"b"d "a"c"g"B|"C"d/2c/2B/2c/2 "D7"Ad/2c/2|\
"G"B/2c/2"D"A/2B/2 "G"Gd/2c/2|
"G"B/2d/2B/2d/2 "D/f+"A/2d/2A/2d/2|"Em"G/2d/2G/2d/2 "Bm"Fd/2c/2|\
"Em"B/2c/2d/2e/2 "A7/c+"d^c|"D"d3:|
P:B
A/2G/2|"D"F/2D/2"c"F/2A/2 "b"d/2A/2"a"B/2c/2|"G"B3d/2c/2|\
"G7"B/2G/2"f"B/2d/2 "e"g/2d/2"d"e/2=f/2|"C"e3g/2f/2|
"C"e/2g/2e/2g/2 "G/b"d/2g/2d/2g/2|"D/a"c/2g/2c/2g/2 "G"B/2g/2B/2g/2|\
"C"e/2g/2e/2g/2 "G/b"d/2g/2d/2g/2|
"D/a"c/2g/2c/2g/2 "G"B/2g/2B/2g/2|"c"e"b"d "a"c"g"B|"c"e"b"d "a"c"g"B|\
"c"e"b"d "a"c"g"B|"C"B"A7/c+"A "D7"AB/2c/2|
"G""Em"dd2d|"c"e"b"d "a"c"g"B|"C"d/2c/2B/2c/2 "D7"Ad/2c/2|\
"G"B/2c/2"D"A/2B/2 "G"Gd/2c/2|"G"B/2d/2B/2d/2 "D/f+"A/2d/2A/2d/2|
"Em"G/2d/2G/2d/2 "D"F/2d/2F/2d/2|"C"E/2d/2E/2d/2 "D"F/2d/2F/2d/2|\
"Em"G/2d/2G/2d/2 "D/f+"A/2d/2A/2d/2|
"C"E/2d/2E/2d/2 "D"F/2d/2F/2d/2|"Em"G/2d/2G/2d/2 "D/f+"A/2d/2A/2d/2|\
"C"c/2e/2d/2c/2 "D7"B/2G/2A/2F/2|"G"G3:|

X: 156
T:Small Hills of Offaly
M:2/2
L:1/8
R:Reel
Z:Robert Greenway
K:D
d2Ad dBAF|~A2EA ceec|defe dBAF|E2GE BEGE|!
d2Ad dBAF|~A2EA ceec|defe dBAF|EAFE D4:|!
|:d2Ad faaf|efge cA~A2|d2Ad faaf|gfeg ~f3e|!
d2Ad faaf|efge cA~A2|(3Bcd ed cAAF|EAFE D4:|!

X: 157
T:Sound Symposium Jig
R:Jig
C:Emile Benoit
M:6/8
L:1/8
Z:Gerry Strong
K:G
|:eaa eaa|eaa baf|gag fed|gag fed|eaa eaa|eaa baf|gag edB|1A3 A3:|2A3|
|:efe ~A3|efe A2 e|dBA GAB|dBA GBd|efe ~A3|efe A2 e|dBA GBg|edB A3:|

X: 158
T:Stanes Morris
H:First printed in the "William Ballet Lute Book" (1595).  It is not
H:known that the town of Staines, on the Thames, had any connection with
H:this tune.
M:C|
L:1/8
Q:140
Z:Playford.abc
K:GDor
d2g2d2^f2|g2 fe d3e|fgf_e d2 cB|AGAB G4||
Bcde d2 cB|AGAB G4||
B2B2 F2F2|GABc d3e|fgfe d2 cB|AGAB G4||

X: 159
T:Sunset, The
M:C|
C:Cathal McConnell & Seamus Quinn
R:reel
D:Altan: Altan
Z:Henrik Norbeck, 8/1/1999
Z:id:hn-reel-217
K:D
ed|:cF~F2 c2dc|BG (3Bcd deed|=cdeg d2Ad|dfed ^cded|
cF~F2 c2dc|BG (3Bcd deed|=cdeg fde^c|1 dfec d2ed:|2 dfec d2ag||
|:fdfg a2gf|e=cef g3a|fg (3agf gfe^c|dfed ^cded|
cF~F2 c2dc|BG (3Bcd deed|=cdeg fde^c|1 dfec d2ag:|2 dfec d2||

X: 160
T:Sweeney's Buttermilk
M:C|
C:Brendan McGlinchey
R:reel
Z:hn-reel-279
K:Bdor
FB~B2 FB~B2|dcBc AE~E2|FB~B2 ABce|afec Bage|
f2ec fcec|~B3c BAFE|FB~B2 ABce|afec B2BA:|
|:FBdc BF~F2|EAcB AE~E2|FBdc Bcdf|afec dBcA|
Bcde fB~B2|afec ABce|~f3a bf~f2|afec B2BA:|

X: 161
T:Sydney Bar
R:Reel
C:Emile Benoit
M:C|
L:1/8
Z:Gerry Strong
K:C
|:GcBc GFEF|GcBc FD ~D2|GcBc GcEc|FAGF EC ~C2:|
|:g2 ge gcce|g2 ge dcde|gage gdcA|GAcd ec ~c2:|

X: 162
T:Tailor's Thimble, The
M:C|
R:reel
H:Also in Ador, #585.
Z:Michael Hogan, 16/12/1998
K:Edor
GE~E2 E2AF|GE~E2 AFDF|GE~E2 EFGA|1 BcdB AFDF:|2 BcdB ABde||
|:f2df efde|fedB ABde|f2df efdA|1 BcdB ABde:|2 BcdB AFDF||
"variations"
|:GEED E2AF|GE~E2 AFDF|GEED EFGA|1 B2dB AFDF:|2 BcdB ABde||
|:fddf e2de|fddB ABde|fddf edcA|1 BcdB ABde:|2 B2dB AFDF||

X: 163
T:Tailor's Thimble, The
M:C|
R:reel
H:Also in Edor, #572
Z:Henrik Norbeck
K:Ador
cAAG A2dB|cA~A2 dBGB|cAAG ABcd|1 e2ge dBGB:|2 e2ge dega||
|:b2gb abga|bage dega|1 b2gb abgd|efge dega:|2 b2gb abgd|efge dBGB||

X: 164
T:Tavol Turkey
M:3/4
L:1/8
R:waltz
Z:bil@blueskiesink.com
K:A
cc c2 A2|cc c2 A2|cc c2 d2|c2 B4|
BB B2 G2|BB B2 G2|BB B2 c2|B2 A4:|!
cB A2 c2|e2 a4|aa a2 e2|c B4|
BA G2 B2|d2 g4|ff e2 f2|1d2 c4:|2 g2 a4||

X: 165
T:The Banshee
M:4/4
R:Reel
Z:Steven Palm, 25/4/2000
K:D
  |: G3 DEDEG | AGAB d2Bd | e2 gedBGA | BAGEED D2 :|
  | eaagefge | dBBA B3 B  | gBfB eBBA | B4 eaag    |
  | efgedBBA | B3 de3 d   | B2 GABAGE | ED (D D6) ||

X: 166
T:The Black Duck Brook French Center Waltz
R:waltz
C:Emile Benoit
M:3/4
L:1/8
Z:Gerry Strong
K:D
FG|:A2 d3 c|B2 E2 EF|G2 GA Bd|A2 D2 DE|F3 F EF|E2 A,2 EF|G2 F2 E2|1A4 FG
:|2D4 FG||!
A2 d3 e|f2 d2 F2|G3 A GF|E2 A,2 CB,|A,2 C2 E2|c2 B2 A2|B2 A3 G|F3 G FE|D
2 DF Ad|f2 d2 F2|G3 A GF|E2A,2 CB,|A,2C2E2|c2B2A2|G2F2E2|D6||

X: 167
T:The Blessings of Silver
M:2/2
L:1/8
C:Ed Reavy
S:The Collected Compositions of Ed Reavy
R:Reel
N:Written for Lou and Mary Quinn's
N:twenty-fifth wedding anniversary. Ed loved the connotations of
N:the title: the blessings of twenty-five years of marriage, the
N:blessings of a couple growing old together, and the many rewards
N:of family life. Ed admired Lou not only because of his musical
N:talent, but also because he was a self-made man who set high standards
N:
N:for other immigrants who followed him to the New World.
Z:Joseph Reavy
K:Bb
G/2A/2|BdBF DGGF|(3D=EF CF DFCF|DGGA Bcdg|g^fdg fdcA|Bdce dcBA|DGBG ^FD
CA,|DGGA Bcdg|^fdcA G3:||
g|bfa^f gfdc|=Bcd=e fdcd|bga=e f2 ge|fdcA BG[G,G]g|(3bag (3ag^f gfdc|=Bc
d=e fefa|gbag ^fag=e|1=fdcA BGG:|2=fdcA BGG||

X: 168
T:The Bog of Allen
M:2/2
L:1/8
C:Ed Reavy
S:The Collected Compostions of Ed Reavy
R:Reel
N:Mentioned eloquently in Joyce's short story,
N:"The Dead" (in Dubliners). This desolate region reminds us of Yeats'
N:line "the drifting, indefinite bitterness of life" Ed has always felt
N:that far too much is made of Ireland's greenery and not enough said
N:of her terrible greyness. Ed has lived to see the whole of Ireland,
N:and he has tried to get as much of it as he could into his own tunes.
Z:Joseph Reavy
K:G
||:dc|BG (3AGF G=FDE|=F2  AF ^FDCB,|DG (3AGF GABc|dgfa gfdc|BG (3GF G=F
DE | [A,2=F2] AF ^FDCB,|DG (3AGF GABc |dgfd c2:|
||:Bc|dg (3gfg bgag|dggf dcBc| dg (3gfg ag (3gfg|defd c2 Bc|
dg (3gfg bgag|dggf dcBA|GABc defa|gefd c2:||

X: 169
T:The Cayugaian
M:4/4
L:1/8
Z:Transcribed by DJG
K:G
(3B^cd AF GE ~E2| DE  ~E2 GE ~E2| (3B^cd AF GE ~E2| DEED E4 :|
cG ~G2 cded| cG ~G2 EF ~F2| cG ~G2 cde2|gfed e3 :|
b3 g a3 f|deed efga| bg ~g2 af ~f2| (3B^cd fd e4|
bg ~g2 af ~f2| (3B^cd fd efg2|  bg ~g2 af ~f2| (3B^cd fd e4|

X: 170
T:The Cocktail
M:2/2
L:1/8
R:Reel
Z:Rob Greenway
K:D
DF~F2 D2fe|dF~F2 AFEF|DF~F2 DFed|cA~A2 EFGE:|!
A~A2 eA~A2|eA~A2 BAGB|A~A2 eA~A2|gedB GABG|!
A~A2 eA~A2|eA~A2 BAGB|A~A2 eaag|fgec dAFE||!

X: 171
T:The Coming of Spring
M:6/8
L:1/8
C:Paddy O'Brien
S:His book
Z:Rachel Marsh
K:D
A | BEE B2 A | BdB BAG | FEF DFA | dfe dBA |
BEE B2 A | Bef gfe | dBG FGA | BGE E2 :||
F | GEF G2 A | B2 A Bec | dAA BAG | (3FGA F DEF |
G2 E FGA | Bef gfe | dBG FGA | BGE E2:||
f | g2 e ege | Beg bag | f2 d dcd | AFA def |1 g2 e ege |
Beg bag | fed (3fga f | gee e2:||2 g2 e fed | Bec dfe |
dBG FGA | BGE E2||

X: 172
T:The Destitution
M:4/4
L:1/8
C:John Stevenson
S:Ciaran Kelly, Moneymore, Derry (Accordian)
R:Reel
D:Session tape - Derrygonelly, Fermanagh 1993
Z:Bernie Stocks
K:Em
E2BE cEBE | dcBc AcBG |1 E2BE cEBE | AGFG AcBG :|2 EBFB GBFB | AGFA BEE2
 ::\
Bede bede | Bede fga2 |1Bede bede | (3Bcd BA BEE2 :|2 bgaf gfed | eBBA B
EE2
:|

X: 173
T:The Fair of Ballydarreen
M:2/2
L:1/8
R:Reel
Z:Robert Greenway, 4/10/1999
K:D
A2AF ABdf|edef dBBF|A2AF ABdB|AFEG FDD2:|!
|:FA~A2 BAFA|(3Bcd ed cAA2|FA~A2 BAdA|F2EG FDD2:|!

X: 174
T:The Fairy Jig
M:9/8
L:1/8
R:Jig
Z:Rachel Marsh,  25/10/1999
K:G
A2 G  Add Add|ABA AFA fAg|A2 G Add Add|cAG cAG FED:||
a3 fab afd|a3 faa baf | a3 baf afd | cAG cAG FED:||

X: 175
T:The First Day In Spring
R:reel
S:Siobháne Peoples
D:Miltown Malbay Fiddle Class 1993
Z:Barney
M:4/4
L:1/8
K:G % transposed from F
e2 dB AG EG|(3AGA dA eA dA|Be dB AG EG|Aa (3gab a3 b|
c'b ag ed Ba|ba ge dB GB|A2 dA eA dA|1 Be dB A4:|
2 Be dB A3 g||
~a3 b c'a (3aaa|ac' ba ge ef|gb af g2 dg|Bg ba ge dB|
~a3 b c'a (3 aaa|bg af ge dB|A2 dA eA dA|Be dB A4:||
EA (3AAA Ae dB|A2 dA eA dA|EG (3GGG Gd BA|G2 dG eG dG|
EA (3AAA Ae dB|A2 dA ed d2|bg af ge dB|Ge dB A4:||

X: 176
T:The First Month of Spring
M:2/2
L:1/8
R:Single Reel
Z:Rob Greenway, 18/4/2000
K:D
|dB~B2 A2FA|BAFA defe|dB~B2 ADFA|Beed egfe|!
dB~B2 BAFB|~A3B defg|afed ~f3e|dBAB dee2||!
af~f2 afbf|af~f2 afef|af~f2 ~a3f|egfe dBB2|!
af~f2 afbf|af~f2 afeg|fa~a2 fb~b2|bafe fgfe||!

X: 177
T: The Fisherman's Wedding
H: As recorded by Winston S. Fitzgerald
C:Reel
M:C
Z:J Weismiller , 14/11/1998
L:1/8
K:F
|:G|FFAc dcAd|cAfF AGGA|FFAc dcde|fcag ff f:|
|:g|fcAc fdBc|dgba gfed|cfag fedc|BGcA FF F:|

X: 178
T:The Flavor of the Month, Bmi
M:2/2
L:1/8
C:Brendan Callahan
R:reel
Z:Robert Greenway
K:Bm
FG|:B3c dBBc|dBeB fBBA|FAAf ecAc|dBcA BAFE|!
DFBc dBBc|dBeB fBBA|FAAf ecAc|1 dfcA B2FG:|2 dfcA B3d|!
|:f~b3 d'bfb|afeg fdBd|cAeA fAeA|dfcA BAFe|!
dBFB cAFe|dBFd|ecAc|f~b3 afec|1 dfcA B3d:|2 dfcA B2FG:||!

X: 179
T:The Haunted House
M:6/8
L:1/8
C:Vincent Broderick
S:The Turoe Stone
Z:Rachel Marsh
K:G
D | G3 AGA | BGE EDE | GBd egd | ege edB | G3 AGA | BGE EDE | GBd ege |
dBA G2 D :||
GBd egd | ege edB | GBd ded | ded dBA |1 GBd dgd | ege edB | GBd ege | d
BA G3 :|
|2 G3 AGA | BGE EDE GBd ege | dBA G3 ||

X: 180
T:The Herdsman's House Hooley
M:3/2
L:1/8
C:Chris Ormston (copyrighted)
Z:bil@blueskiesink.com
K:D
D2 FGAGFE F2 D2|E2 e4 f2 e4|D2 FGAGFE F2 D2|D2 d4 c2 d4:||!
f2 d2 e2 c2 d2 F2|E2 e4 f2 e4|f2 d2 e2 c2 d2 F2|D2 d4 c2 d4:||

X: 181
T:The Independence Hornpipe
M:2/2
L:1/8
S:Tom Doorley (Dan
R:Hornpipe
Z:Robert Greenway,  25/10/1999
K:G
Bc|:dgfa (3gab gd|(3efg dc (3Bcd BG|FGAB cBcg|(3aba (3gfe d2Bc|!
dgfa (3gab gd|(3efg dc (3Bcd bg|fedB cAFA|1 G2 (3AGF G2Bc:|2 G2 (3AGF G=
4|!
|:(3cdc (3BAG (3FGA (3fed|(3BDG (3Bdg (3bag (3fed|(3cdc (3BAG (3FGA (3f=
ed|(3BDG
(3Bdg (3bag (3fed|!
|~e3 (3ceg (3c'ga (3gfe|~d3 (3Bdg (3bag (3fed|(3cdc (3BAG (3fed (3cBA|1=
G2 (3AGF
G4:|2 G2 (3AGF G2||!

X: 182
T:The Lass O' Corrie Mill
M:C
L:1/16
C:Strathspey
H:As recorded by Winston S. Fitzgerald
Z:J Weismiller , 14/11/1998
K:F
"F"F3G A3F "C"EG3 "F"F4|"F"Ac3 c3B Ac3 c4|"Bb"d3f "F/A"c3f "Gm"B3f
"F"A3f|"C"(3a2g2f2 (3e2f2d2 (3c2d2B2 (3A2B2G2|
F3G A3F EG3 F4|Ac3 c3B Ac3 c4|d3f c3f B3f A3f|"C"(3a2g2f2 (3e2f2g2
"F"af3 f4||
"F"Ac3 c3B Af3 f4|"C"eg3 g3e "F"fa3 f4|"Bb"bg3 "F/A"af3 "Gm"g3e
"F"f3g|"C"(3a2g2f2 (3e2f2d2 (3c2d2B2 (3A2B2G2|
"F"Ac3 c3B Af3 f4|"C"eg3 g3e "F"fa3 f4|"Bb"bg3 "F/A"af3 "Gm"g3e
"F"f3g|"C"(3a2g2f2 (3e2f2g2 "F"af3 fa3||

X: 183
T:The Launching Of The Boat
R:reel
S:Tommy Peoples & Dermot Byrnes
H:
N:
D:Concert, Galway
Z:Adrian Scahill
M:4/4
L:1/8
K:D
d2 fd AGFA|BEE2 BAFA|d2fd AGFG|E3F GABc|\
d2fd AGFA|BEE2 BAFG|A2FA DAFD|1 EDEF D4:|2 EDEF D3g||\
fdd2 fdge|fdAd fgaf|efgf g3f|efga bgeg|\
fdd2 edcA|dcdB AGFG|A2FA DAFD|EDEF D4:||

X: 184
T:London Lasses, The
M:C|
L:1/8
Q:1/2=80
R:reel
Z:Lesl Harker, 8/4/2000
K:G
D3E|:G3B d2Bd|eaag EGG2|~G3B d2Bd|egdB AGFA|
~G3B d2Bd|eaag efga|b2ag egfa|1 gedB AGE2:|2 gedB AGG2||
|:~g3d edBc|dG~G2 AGB2|~g3d edBc|dBGA BAa2|
~g2fa efge|dBB2 dega|b2ag egfa|1 gedB AGG2:|2 gedB AGFA|G8||

X: 185
T:The Lonesome Boatman
M:4/4
L:1/8
C:Finbar Furey
Z:Gerry Strong
K:Bm
P:"Slow Intro"
{e}"Bm"(f8 e4 ^e4) f8 z/|(f4 g4 {^e}f8) z/|"Quickly"{ef}.e {ef}.e {ef}.e
{ef}.e {ef}.e z {ef}.e z {ef}.e z {ef}.e z {ef}.e {e}.e2 {f}A B8 z|
"D"(3B/c/e/ .d/.d/.d/ d8 z/ "A"c6 {dc}B "F#m"{cBA}F8|"Bm"{e}(f8 e2 f4 g4
)
~f8 z|"Quickly"{ef}.e {ef}.e {ef}.e {ef}.e z/ {ef}.e {ef}.e z {ef}.e z
{ef}.e z {ef}.e z {ef}.e {ef}.e2 {e}e4 {f}A B8 z|"D"{d}e8 (e/4f/4e/4d/4
c/4d/4c/4e/4) (3.d.d.d (3.d.d.d {e}d8 {edc}d8 {e}"Quickly"(f/4e/4d/4c/4
d/4e/4d/4c/4B/4 z/|"F#m"{B}.c (c4 ^B4 "A"c8) z|"F#m"{^e}F6 z {^A}B|
"Bm"{^A}B8-|B8|
P:"Normal Tempo: Faster than Intro"
|:{e}f4-fgfe|f B4 zc/d/c/e/|"D"d4 dc {cd}cB|"F#m"AF-F6-|F4 z2 {g}(fe|
"Bm"f4)-fgfe|fB-B4 e/d/c/e/|"D"dd- dd- dd- dd-|dc {cd}c/c/c cdcA|
"Bm"({A}B8|B4) z2 e|"E"{f}^g8-|^g6 e2|"Bm"{e}f8-|f4 z2
f2|"E"{e^gf}^g6-^g(e=g|
^g6) (e=f|"Bm"f6) ze/4f/4e/4d/4c/4e/4|"D"dd- dd- dd- d{f}e/d/|
"F#m"(3c2{B}c2{B}c2 c3 {c}B/A/|"Bm"F8-|F4 z2 {g}f2-|f4-fgfe|
fB-B4 {f}e/d/c/e/|"D"dd- dd- dd {f}e/f/e-|"F#m7"e6 {ed}cA|[1 "Bm"{A}B8-|
B8
:|
P:"Last time"
|[2 "Bm"B4 {c}BA {fa}Bc|"Em7"{c}d4 z B|"Bm"{c}BA {FA}Bc {d}cB d/c/B|
"Em7"e/d/c d/c/B {f}e/d/c d/c/B|"Bm"{c}BA {G}FE {G}F2 de|
"Em7"{g}f/e/d {e}dc {d}cB {c}BA|"Bm"B/c/d z c {d}cB {c}BA|"Em7"Bc {e}d/c
/B
{f}e/d/c {e}d/c/B|"Bm"{f}e/d/c {d}c/B/A {c}BA {G}FE|"F#m"F z de {g}f/e/d
{e}dc
P:"Repeat Ad Lib"
|:{d}cB {c}BA "Em"B/c/{c}d d{d}c/|"Bm"B2 {c}BA
"Em"{c}B/c/d-dc:|"Bm"{A}B8-|B8|]

X: 186
T:The Lyke Wake Dirge
M:3/4
L:1/4
C:Traditional English
R:funeral march
O:Assumed North Yorkshire
B:Enyclopaedia Blowzabellica
D:Blowzabella, 'Wall of Sound'
Z:Gordon Turnbull
K:AAeo
e | A2 B | c2 e | {a}e2 d/c/ | d2 c/d/ |
e2 f/e/ | d2 c/B/ | ~e d2 -| d2 e |
e2 f/e/ | d2 c/B/ | d2 c/B/ | A2 {ad}e |
{ad}e2 f/e/ | d2 c/B/ | c A2- | A2 :||
ef | g2 f/e/ | f2 e/d/ | e2 d/c/ | d2 c/d/ |
e2 f/e/ | d2 c/B/ | ~e d2 -| d2 e |
e2 f/e/ | d2 c/B/ | d2 c/B/ | A2 {ad}e |
{ad}e2 f/e/ | d2 c/B/ | c A2- | A2 :||

X: 187
T:The Milky Way
M:4/4
L:1/8
C:Vincent Broderick
S:John Skelton
R:Reel
D:John Skelton, One at a Time (PAN 146CD)
Z:Chris Corrigan, 10/4/2000
K:D
|:D2 (3FED ADFA|d2 fd ef d2|D2 (3FED ADFA|BE E2 BE E2|
D2 (3FED ADFA|d2 fd ef d2|dffd efdB|AFEF d4:|
|:efdB AFEF|d2 fd ef d2|efdB AFEF|A2 FE AFAE|
efdB AFEF|defd ef d2|dffd efdB|AFEF d4:|

X: 188
T:The Millennium Reel
M:4/4
L:1/8
C:Vincent Broderick
S:The Turoe Stone
Z:Rachel Marsh
K:D
FAAF EDDE | FAAF BFAF | GEBE GEBE | FAAF GFED | FAAF EDDE | FAAF BF A2 |
BAFB AFEF |  AFEF D4 :||
Addc d2 cd | efed cA A2 | DEFG A2 FA | BAFB AFED | Addc d2 cd | efed cA
A2 |
BAFB AFEF | AFEF D4 :||

X: 189
T:The Peddlar's Punch
M:2/2
L:1/8
C:Ed Reavy
S:The Collected Compositions of Ed Reavy
R:Reel
N:Ed likes a title that can be taken in more
N:than one way. In this one you don't know which punch of the peddler
N:is the most lethal. He might pack quite a wallop if you cross him,
N:but take just one good sup of his poteen and you'll be lucky if you
N:don't take total leave of your senses.
Z:Joseph Reavy
K:G
DF|G2 BG DGBF|=F2  [FA]F CFAF|G2 GB DGBc|dgfd (3cBA FA|G2 BF DGBG|=F2 [F
A
]F CFAF|GABc (3dcB (3cBA |1 GBAF DGGF:|2 GBAF DGGA||B2 ge fdcB|A=F (3FEF
 ABcA|G2 ge fd^cd|gfga gfdc|Bdge fdcB|A=F (3FEF ABcA|GABc defa|gbag f
dcA:||

X: 190
T: The Perth Assembly
C:Reel
M:C
L:1/8
Z:J Weismiller , 14/11/1998
K:F
|:G|"F"A2 cA "Bb"B2 dB|"F" A2 cA "C7"Bg G2|"F"A2 cA "Bb"Bcde|"F"fcdB AF
F:|
|:e|"F"f2 af "C/E"e2 ge|"Dm"f2 df "C"e2 ce|"Bb"d2 Bd "F/A"c2 Ac|"Gm"BG
"C"cA "F"F3|
g|"F"agfa "C/E"gfeg|"Dm" fedf "C"edce|"Bb"dcBd "F/A"cBAc|"Gm"defg "F"af
f||

X: 191
T:The Prayermaster Jig
M:6/8
L:1/8
R:jig
N:Smoothly
Z:Seanchas
K:G
|EFE G2 A|BAG F2 E|DED F2 A|G2 B AFD
|EFE G2 A|BAG FGA|B2 E  EFD|E4 E2 D:|
|G2B d2e|dBG dBG|D2F A2B|AFD AFD
|G2B d2e|dBG GBd|e2E EFD|E4 E2D:|

X: 192
T:The Rat in the Thatch
M:4/4
N:Paul McGrattan's workshop 9/11/99
H:Within A Mile of Dublin
O:Irish
R:Reel
Z:Thomas Keays
K:G
P:A
G2dc BdGB | dG(3Bcd ecAF | G2dc Bcde | dBcA BGAF :|
P:B
egfe egfe | d2fd AdFd | egfg efga | b2af geed |
G2dc Bcde | d2Fd AGFA | G2dc Bcde | dBcA BGAF |]

X: 193
T:The Ravelled Hank of Yarn
M:2/2
L:1/8
R:Single Reel
Z:Robert Greenway, 13/11/1998
K:G
B3d A3B|G~B3 G~B3|d~A3 dAeg|fdcA BGG2
B3d A3B|G~B3 G~B3|d~A3 dAeg|fdcA G4||
d~G3 dGBd|~g3a bgeg|d~G3 dGeg|fdcA AGG2|
d~G3 dGBd|~g3a bgef|~g3a bgaf|gedB G4||

X: 194
T:The Rigmy Reel
M:2/2
L:1/8
R:Reel
Z:Rob Greenway
K:ADor
e2dg egdB|G2BG DGBd|e2dg egdB|GBdB BAag|!
e2dg egdB|G2BG DGBd|c2Ac BAGE|DEGA BAA2:|!
|:(3Bcd ef g2cB|cgec dBG2|(3Bcd ef gc~c2|dBGB cAA2|!
(3Bcd ef gc~c2|gcec dBGB|c2Ac BAGE|DEGA BAA2:|!

X: 195
T:The Road to Ballymac
M:2/2
L:1/8
R:Reel
Z:Robert Greenway, 17/2/1999
K:G
DG~G2 BAGA|Bd^cd e2de|gd~d2 egdg|gedB ABGE|!
DG~G2 BAGA|Bd^cd e2de|gd~d2 egdB|1 cAFA G3E:|2 cAFA G3A|!
|:Bd~d2 edBd|eg~g2 a2ga|bgag egdg|gedB ABGA|!
Bd~d2 edBd|eg~g2 a2ga|bgag egdB|1 cAFA G3A:|2 cAFA G3E||!

X: 196
T:The Road to Monalea
M:4/4
L:1/8
Q:120
C:Colm O'Donnell
S:Farewell to Evening Dances
R:Reel
P:2
D:Farewell to Evening Dance
Z:David Dahl
K:G
dcAc d3e|dcAG EDD2|cAGA cded|cAGE EDD2|dcAc d3e|dcAG EGDG|EGAG cded|cAGE
 EDD2:|
dcAc d2cd|eaag egd2|gede c3d|egag edd2|dcAc d2cd|eaag egd2|cGGG cded|cAG
E EDD2:|

X: 197
T:The Slaney Bog
M:2/2
L:1/8
C:Ed Reavy
S:The Collected Compositions of Ed Reavy
R:Reel
N:The Slaney Bog. This tune became an instant favorite with "the
N:New York fellows" back in the forties.
Z:Joseph Reavy
K:D
||:[F3A3] G FGAB|=cAFA G2 FG|(3AB=c AG FGAg|fdec dfec|AGAG FGAB|=cAFA G2
 FG|(3AB=c AG FGAg|fdec Adde||f2 gf gfed|cAAB cdeg | fdfa g2 fg | (3
agf (3gfe fddf |(3agf (3gfe fdec | dfed cAGE | Dddc defg |1 (3agf (3gfe
d
fec:|2 (agf gfe d4||

X: 198
T:The Wedding Gift
M:3/4
L:1/8
Q:140
C:Dave Panting
R:Waltz
Z:Gerry Strong,  18/10/1999
K:D
A|:D4-D A|F A-AB (3cBA)|d4 cA|BG d2-dB|D4-D A|FA-AB (3cBA)|dB G2
(3FAF)|E4-EA|D4-D A|F A-AB (3cBA)|d4 cA|BG d2-dB|AF D3 A|BG d2
(3FGF)|E4-ED|D4-DA:|
f2d2A2|e4 cA|d4 cA|BG d3 A|f2d2A2|e4 cA|dB G2 (3FGF)|E4-EA|f3 d A2|e4 cA
|d4
cA|BG d3 B|AF D3 A|BG d2 (3FGF)|E4-ED|1D4-DA:|2D6||

X: 199
T:Thompson's
H: As recorded by Angus Chisholm
C:Jig
M:6/8
L:1/8
Z:J Weismiller , 14/11/1998
K:F
:A|FAc fef|gfe f2A|FAc fed|cBAG2A|FAc fef|gfe fga|gfe fga|gfe fed|cBA
G2:|
b|agf gfe|fcA F2b|agf gBA|BAB G2b|agf gfe|fed cBA|Bdg Acf|ede f2:|

X: 200
T:Tinkerman's Wife, The
M:4/4
L:1/8
Z:Rachel Marsh
K:DMix
A3 B AGFG | DccB cedB | A2 BG AGFG | DG ~G2 DG ~G2 | A3 B AGFG |
Adde ~f3 g | afge fae^c | dcAF G2 FG :||
Addc AGFG | Adde fded | Addc AGFG | DG ~G2 DG ~G2 | Addc AGFG |
Adde ~f3 g | afge fae^c | dcAF G2 FG :||
~A3 g fd=fe | dcAB cedc | ~A3 g fd=fe | dcAF G2 FG | ~A3 g fd=fe |
dcAB cdeg | fde^c d2 ^cA |  dBcA G2 FG :||

X: 201
T:Tolka Polka
M:2/2
L:1/8
C:Donal Lunny
R:Polka
Z:Robert Greenway
K:ADor
A3B c2g2|d2e2 c2A2|BcBA G2d2|A2B2 G2E2|!
A3B c2g2|d2e2 c2A2|BcBA G2d2|1 B2A2 edc2:|2 B2A2 A2z2|!
|:d3e f2a2|g2a2 f2d2|gedc B2dc|BAG2 BAGB|!
A3B c2g2|d2e2 c2A2|BcBA G2d2|B2A2 A2z2:|!
|:e3f g2f2|d2e2-efg2|f2d2 fgfe|d2c2 B2d2-|!
dcB2 c2g2|d2e2 c2A2|BcBA G2d2|1 B2A2 A2z2:|2 B2A2 edc2||!

X: 202
T:Tolka Polka
M:2/2
L:1/8
C:Donal Lunny
S:Donal Lunny, _From the O'Riada Retrospective_
R:polka
Z:Reposted to woodenflute from IR-TRAD
K:ADor
A3B c2g2|d2e2 c2A2|BcBA G2d2|A2B2 G2E2|
A3B c2g2|d2e2 c2A2|BcBA G2d2|1 B2A2 edc2:||2 B2A2 A2z2||
||:d3e f2a2|g2a2 f2d2|gedc B2dc|BAG2 BAGB|
A3B c2g2|d2e2 c2A2|BcBA G2d2|B2A2 A2z2:||
||:e3f g2f2|d2e2-efg2|f2d2 fgfe|d2c2 B2d2-|
dcB2 c2g2|d2e2 c2A2|BcBA G2d2|1 B2A2 A2z2:||2 B2A2 edc2||
% And on the recording, the last time through they take the rhythmic
% hiccup that starts on beat two of the fourth bar of the third section
% and drop in into the appropriate places in the first two sections,so
% what you get is
||:A3B c2g2|d2e2 c2A2|BcBA G2d2|A2B2 G2d2-|
dcB2 c2g2|d2e2 c2A2|BcBA G2d2| B2A2 A2z2:||
||:d3e f2a2|g2a2 f2d2|gedc B2dc|BAG2 Bcd2-|
dcB2 c2g2|d2e2 c2A2|BcBA G2d2| B2A2 A2z2:||

X: 203
T:Ton double gavotte
C:Padrig Sicard
D:Portland
P:G4
M:12/8
Q:C3=156
K:G
Z:bil@blueskiesink.com
%T:TD3
P:G
"Em"B2 B E2 E F2 G "D"A3|B2 d "G"B2 A "C"G3 "Em"E3::
"Em"B2 B E2 E F2 G "D"A3|B2 d "G"B2 A B2 c "D"B2 A|\
"C"GAG E2 E F2 G "D"A3|B2 d "G"B2 A "C"G3 "Em"E3:|

X: 204
T:Ton double gavotte
C:Padrig Sicard
D:Portland
P:E4
M:12/8
Q:C3=156
K:G
Z:bil@blueskiesink.com
%T:TD1
P:E
"Em"E3 "D"F2 G A3/2B3/2 "G"G3/2B3/2|"D"A3/2F3/2 "Bm"A3/2G3/2 "C"E3 "Em"E
3::
"Em"B2 c B3/2"D"A3/2 G3/2A3/2 "G"B3|\
B2 A/2G/2 "D"F3/2G3/2 "Am"A3/2B3/2 "C"G3/2B3/2|\
"Em"E3 "D"F2 G A3/2B3/2 "G"G3/2B3/2|\
"D"A3/2F3/2 "Bm"A3/2G3/2 "C"E3 "Em"E3:|
\bigskip

X: 205
T:Ton double gavotte
C:Padrig Sicard
D:Portland
P:F4
M:12/8
Q:C3=156
Z:bil@blueskiesink.com
K:G % transposed from F
%T:TD2
P:F
"Em"BAB "Am"c3/2B3/2 A3/2G3/2 "Bb"E3/2F3/2|\
GFG "D"A2 F "Bm"D3 "Em"E3:|
|:"Em"BAB "Am"c3/2B3/2 A3/2G3/2 "Bb"E3/2F3/2|\
GFG "D"A3/2B3/2 "Bb"e3/2d3/2 "Bm"B3/2A3/2|\
"G"GAB "Am"c3/2B3/2 A3/2G3/2 "Bb"E3/2F3/2|\
GFG "D"A2 F  "Bm"D3 "Em"E3:|

X: 206
T:Ton double plin
M:4/4
L:1/8
Q:C2=160
C:Traditionnel
S:Pennoù Skoulm
R:Dañs Plin
P:E4
Z:bil@blueskiesink.com
K:D % transposed from C
%T:TD1
P:E
\lbraf"Bm"B>A Bc fe "A"c2|
"G"d2 Bd "A"cc "Bm"B2:|
"Bm"f>e "A"ag fe "D"d2|(3dcd "A"ee de "Bm"f2|\
"Bm"f>e "A"ag fe "D"d2|(3dcd "A"ee dc "Bm"B2:|

X: 207
T:Ton simple gavotte
R:Gavotte des montagnes
C:Traditionnel
S:TS95
P:C4
M:12/8
Q:C3=156
Z:bil@blueskiesink.com
K:G
%T:TS3
P:C
"Em"B2 B A2 "Am"c B2 G "C"E3|GFE "D"F2 G "Bm"F3 F3::\
"Em"E2 F "G"G2 G "F#m"F2 E "Bm"D3|E2 F "C"G2 G "D"F2 F "Em"E3:|

X: 208
T:Trim the Velvet
M:C|
L:1/8
S:Mary Bergin
R:reel
D:Mary Bergin: Feadoga Stain 2.
H:Similar to "Kiss the Maid behind the Barrel", #549
Z:id:hn-reel-2
K:G
~G3B AGFD|GBdB BAFA|~G3B AGFA|defd cAFA|
~G3B ~A3c|BcdB BAFA|~G3B AGFA|defd cAFA||
dgeg dg~g2|dedB cAFA|dgeg dg~g2|defd cAFA|
d3e dBGB|dGBd cAFA|dgeg dg~g2|defd cAFA||
~g3a bgaf|g2ab c'baf|g2af g2af|defd cAFA|
~g3a bgaf|g2ab c'ba2|bg~g2 af~f2|defd cAFA||
BGdG BG~G2|(3BAG dB cAFA|BGdG BG~G2|defd cAFA|
BGdG BG~G2 |DGBd cAFA|~B3G c2ce|defd cAFA||

X: 209
T:Up to your knees in Sand
M:4/4
L:1/8
R:Reel
Z:Chris Corrigan
K:G
N:UP TO YOUR KNEES IN SAND (Chuig na Gl™ine i nGaineamh Th™). AKA and
see "The West Clare Reel." Irish, Reel. G
Major/E Dorian. Standard. AABB. The melody bears some similarity to the
better-known "Temperance Reel." Source for
notated version: whistle player Mary Bergin (Ireland) [Breathnach].
Black, 1996; No. 1, pg. 1. Breathnach, Vol. 3, 1985;
No. 159, pg. 74. Gael-Linn Records CEF 071, Mary Bergin - "Feadoga
Stain" (1979).
G2 GF GABc|dBeB dBAF|DFAF BFAF|ABAF GFEF|
G2 GF GABc|dBeB dBAd|(3Bcd ec dBAF|DEFD E3 F||
GBBA GBEG|FAAG FADF|GBBA GBdB|AGFA E3 F|
GBBA GBEG|FAAG FADF|G2 GF GBdB|AGFG E3 F||

X: 210
T:Walls of Liscarrol, The
M:6/8
R:jig
D:Frankie Gavin: Frankie Goes to Town
Z:Henrik Norbeck
K:Dmix
EFF DGG|DEF E2D|DEF GFG|AFD D2E|~F3 GFG|AGA fed|ecA GFE|1 FDD D2E:|2 FDD
DAB||~c3 ~d3|ecA AGE|~c3 dcA|AGF GAB|~c3 ~d3|efd eag|edc ABc|1 BAG A2B:|
2 BAG
AB^c||~d3 AFA|GAG FED|d^cd AFA|GFE DFA|~d3 AFA|DFA fed|ecA GFE|FDD DFA:|
dFF AFF|dFF AFA|FGE cEE|GFE GFE|d2F AFA|DFA fed|ecA GFE|1 FDD DFA:|2 FDD
D2E||

X: 211
T:Wayne and the Bear
R:Reel
C:Emile Benoit
P:3
M:C|
L:1/8
Z:Gerry Strong
K:A
|:B2 GE BEGB|A2 FD ADFA|B2 GE BEGB|B,CDF FE ~E2|B2 GE BEGB|A2 FD ADFA|EF
GA BcdB|AFdF FE ~E2:|
|:Beed e2 Be|d2 A=G FD ~D2|Beed e2 fa|gbaf ge ~e2|Beed edBe|d2 A=G FDDF|
EFGA BcdB|AFdF FE ~E2:|
K:D
|:GABA G2 EG|FGAG FEDF|GABA G2 EG|FDAD FE ~E2|GABA G2 EG|FGAG FEDF|GABc
dBAF|dBAF FE ~E2:|

X: 212
T:We Ent Goin Far
M:6/8
L:1/8
C:Will Coleman
S:RACCA 2 Cornish Tunes for Cornish Sessions
R:jig
Z:bil@blueskiesink.com
K:G
EBE c2 B|AGA BFE|EBG c2 B|AGA ~B3|EBE c2 B|AGA BGE|Bcd e2 b|agf e3:|
bgb afa|geg fBd|eBg fBa|gfe ~f3|bgb afa|geg fBd|eBg fBb|agf e3|bfb afa|M
:9/8 geg f (c2c3)|M:6/8 eBg fBb|agf ~f3|bgb afa|M:9/8 geg f (c2c3)|M:6/8
eBg fBb|agf e3||

X: 213
T:Wexford Carol
M:3/4
L:1/8
Q:70
C:Trad.
S:SAB
Z:M. Dominic Ryan
K:D
z3 A dd/2c/2|d3e fg|a3a gf|dA2B =c3/2d/2|=c3A dd/2^c/2|
d3e fg|a3f ga|fd2e dd|d2zd d=c'|ag2 e =f3/2g/2|=f3 a/2g/2 (fe)d|
dA2 B =c3/2d/2|=czA dd/2^c1/2|d3e fg|a3f ga|fd2e dd|dz2|d4fg|
a4g2|f4(e2|e4)(d2|d4)fg|a4g2|f4(d2|d2)zd d=c'|ag2e =f3/2g/2|
=f3a/2g/2 (2fe)d|dA2B =c3/2d/2|=c2zA dd/2^c/2|d3e fg|
a3f ga|fd2 e dd|d2zf ga|
|M:4/4
L:1/8
f2d4e2|d4 d4|(d8|d6)z2||

X: 214
T:When the tide comes in
M:4/4
L:1/8
C:James Hill
R:Hornpipe
Z:Andrew Pickering, 17/2/1999
K:Am
ed|cBAG ABcd|e2 A2 Ac'ba|g2 ed cdec|d2 BA G2 ed|
cBAG ABcd|ea^gb a3 e|fedc dfed|c2 A2 A2:|
ab|c'aec aecA|EAce abc'a|bgdB gdBG|DGBd gdBd|
cBAG ABcd|ea^gb a3 e|fedc dfed|c2 A2 A2:|

X: 215
T:Where The Shannon Rises
M:C
L:1/8
C:Ed Reavy
S:The Collected Compositions of Ed Reavy
R:Reel
N:Ed was proud to recall that the majestic
N:Shannon rose in his county. For this reason he called his first book
N:of tunes, "Where the Shannon Rises".
Z:Joseph Reavy
K:D
d||:DEFA defe| (3dcB (3cBA BFFG|AGFE DEFA|dBAF EDCE|DEFA defe|
(3dcB (3cBA BFFG|AGFE DEFA|1 (3Bcd eg fddF:|2
(3Bcd (eg fdde||fgaf dcdf|eBfB gBfe|defg agfa|gfeg fedc|defg
 afdf|edcd efge|(3f^ga ec dcdA|(3Bcd AF EDCE||

X: 216
T:Wing Commander Donald McKenzie's
M:2/2
L:1/8
C:Phil Cunningham
R:reel
Z:Rob Greenway
K:A
cE~E2 cEBE|AFFE FAEA|~F3E FGAB|cBAB cffe|
cE~E2 cEBE|AFFE FAEA|~F3E FGAB|1 cABG ~A3B:|2 cABG ABce||
|:aefe c2Bc|AFEF ABce|faba fbaf|ecAB cBce|
aefe c2Bc|AFEF ABce|faba fbaf|1 ecBc ABce:|2 ecBc ~A3B||

X: 217
T:Wisahicken Drive
M:C|
C:Liz Carroll
R:reel
Z:Henrik Norbeck id:hn-reel-257
K:A
EFAB cBAB|ceef ecBA|F2dF eFde|fedf ecBA|
EFAB cBAB|ceef ecBA|~f3a e2cA|1 BAGB ~A3F:|2 BAGB ABce||
|:a2ga baga|~f3e feaf|ec~c2 acec|1 fcec BAce|
a2ga baga|f2de feaf|ec~c2 afec|BABc ABce:|2 fcec BABc|
ABce a2ga|f2de feaf|ec~c2 afec|BABc ~A3F||
"Variations:"
EFAB cBAB|ceec ecBA|~F3A dFAd|fedf ecBA|
EFAB cBAB|ceec ecBA|~f3a ecAc|1 BAGB ~A3F:|2 BAGB ABce||
|:a2ga baga|f2de fgaf|ec~c2 acec|1 f2ec BAce|
a2ga baga|~f3e fgaf|ec~c2 afec|BABc ABce:|2 fcec BABc|
ABcA a2ga|~f3e fgaf|ec~c2 afec|BABc ~A3F||

X: 218
T:Wonder Hornpipe, The
M:4/4
L:1/8
R:hornpipe
Z:Seanchas
K:G
DEF|GdBG FcAF|(3GFG BG D2GF|EAAB cBAG|(3FED d^ced (3=cBA|!
GdBG FcAF|(3GFG BG D2GF|Eedc BADF|AGGF G2:||!
AG|FAd^c d2AG|FAd^c dfed|(3B^cd ef gece|d^cde d2 =c2|!
B3A ^GBe2|A3G FAd2|(3efg fe (3ded (3cBA|G2(3AGF G2:|!

X: 219
T:Woodcock, The
M:6/8
C:Hammy Hamilton
R:jig
Z:Chris Corrigan, 19/4/2000
K:G
||: dBG cGE | DBD ~G3 | ~B3 dcB | dcB ABc | dBG cGE | DBD ~G3 | ~B3 ded
|
ABA G3:||
dBG ecA | ~f3 g2d | ege dcB | dcB ABc | dBG ecA | ~f3 g2d | ege dBG |
ABA G2B |
dBG ecA | ~f3 g2g | ege dcB | dcB ABc | dBG cGE | DBD ~G3 | ~B3 ded |
ABA G3 ||

X: 220
T:X-Prep Reel
M:4/4
L:1/8
C:Bernhart
Z:Bernhart
K:A dor
EAAB A~A2G|EAAB dedB|EAAB A~A2G|cABG A~A2G :|| !
eg~g2 age2|de~e2 dcA2|EAcA eAcA|1BG~G2 A2Bd:|2BG~G2
A~A2G||

X: 221
T:Young Scotty
M:6/8
L:1/8
C:Charlie Sherritt
S:Will Atkinson
R:Jig
B:`gfe`edc BAGBAG
Z:Alistair Anderson
Z:Chas Blacker
K:G
D|G2G G2B|AFD DEF|G2B d2B|def g2f|e2c cde|d2B G2A/2B/2|c2B A2G|GFE DEF|G
2G G2B|AFD DEF|G2B d2B|def g2f|e2c gfe|edc BAG|FAF DEF|G3 G2||A|Bee e2f|
g3 g2e|f2d agf|e3 e2d|Add d2e|f3 f2g|a2A gfe|ded cBA|G2G G2B|AFD DEF|G2B
 d2B|def g2f|e2c gfe|edc BAG|FAF DEF|G3 G2||

% Output from ABC2Win  Version 2.1 k preview on 24/05/2000