| This image is from
a woodcut in The Triumphs Of Maximilian I,
depicting five rauschpfeifers on horseback. A full version of this image can be viewed online at the Fine Arts Museum of San Francisco website. |
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This
is from Thoinot Arbeau's Orchesographie
published in 1589. There is no reference to rauschpfeifen in the
narrative of the Orchesographie, so I am claiming this noisy fellow as
a rauschpfeifer without any real proof ... but judging by the number of
lines the engraver shows coming from the end of the instrument, he's
obviously got something fairly loud on the go ... |
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| This
is from Praetorius' Syntagma Musicum of 1619,
illustrating three sizes of Schryari. |
| |
A photo of my rauschpfeife, a soprano made by Eric
Moulder. Click on the photo to get a larger
version of the image. |  |
| |
 | My
soprano rauschpfeife (left) and my soprano cornamuse by Wood (right)
for comparison. With the windcaps removed the
difference in the size of reed is obvious. Note also the difference in
size and spacing of the fingerholes. |
| |
| Powderkegs border morris, Adderbury, May 2007. When
people ask me if the rauschpfeife is a traditional instrument for the
morris I reply 'not yet'. |
 |
 |
In 2002 Osama Bin Laden was holed up in the Tora Bora cave complex in Afghanistan, and, far more importantly in rauschpfeife terms, my friend Richard Peach of the band Nelson Peach had his first encounter with my rauschpfeife - shortly afterwards, this cartoon dropped through my letterbox ... you can click the image for a larger version. This cartoon is © Richard Peach 2002, gratefully reproduced here with his permission. |